Playing ShakespeareMethuen, 1984 - 211 halaman Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Halaman 133
... Talking about irony has led us inexorably to talking about interpretation and in the remaining sessions of this series we shall go further that way . I hope you won't think that I'm trying to push my interpretations as something ...
... Talking about irony has led us inexorably to talking about interpretation and in the remaining sessions of this series we shall go further that way . I hope you won't think that I'm trying to push my interpretations as something ...
Halaman 193
John Barton, Royal Shakespeare Company. been talking about , it doesn't mean that he will necessarily bring Shakespeare's poetry alive . I have therefore put off talking about it till our last session . But let me end my prophecy here ...
John Barton, Royal Shakespeare Company. been talking about , it doesn't mean that he will necessarily bring Shakespeare's poetry alive . I have therefore put off talking about it till our last session . But let me end my prophecy here ...
Halaman 194
... talking about always falls shorts of our hopes and is always bound to do so . In rehearsal we work , we dig , we ... talked about . I wonder how many times I've been at a marvellous rehearsal where a passage has been thoroughly explored ...
... talking about always falls shorts of our hopes and is always bound to do so . In rehearsal we work , we dig , we ... talked about . I wonder how many times I've been at a marvellous rehearsal where a passage has been thoroughly explored ...
Isi
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Hak Cipta | |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words