Playing ShakespeareMethuen, 1984 - 211 halaman Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Halaman 28
... stress is provided when that norm is broken . ' Once more unto the breach , dear friends , once more ' is a very strong line because there are extra strong stresses . There are seven ' dums ' here , not five . The extra stresses ...
... stress is provided when that norm is broken . ' Once more unto the breach , dear friends , once more ' is a very strong line because there are extra strong stresses . There are seven ' dums ' here , not five . The extra stresses ...
Halaman 29
... stress or inflect these paired words and the verse rhythm helps him to do so . Do you begin to see how blank verse works ? The so - called iambic pentameter is the norm which Shakespeare keeps more or less going back to , but extra ...
... stress or inflect these paired words and the verse rhythm helps him to do so . Do you begin to see how blank verse works ? The so - called iambic pentameter is the norm which Shakespeare keeps more or less going back to , but extra ...
Halaman 30
... stress . If he gives a feminine ending a strong stress the line will mis - scan and will almost always sound wrong . Here's an example : n U U HENRY IV ( Ian McKellen ) : How might a prince of my great hopes forget So great indignities ...
... stress . If he gives a feminine ending a strong stress the line will mis - scan and will almost always sound wrong . Here's an example : n U U HENRY IV ( Ian McKellen ) : How might a prince of my great hopes forget So great indignities ...
Isi
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Hak Cipta | |
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actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words