Playing ShakespeareMethuen, 1984 - 211 halaman Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Halaman 41
... sometimes scans the word as two syllables and sometimes as three . It depends on how he uses the word in the verse line at a given moment . Here's an example . CRESSIDA ( Jane Lapotaire ) : And is it true that I must go from Troy ...
... sometimes scans the word as two syllables and sometimes as three . It depends on how he uses the word in the verse line at a given moment . Here's an example . CRESSIDA ( Jane Lapotaire ) : And is it true that I must go from Troy ...
Halaman 198
... sometimes . I remember when I first started you used to do it to me all the time . You told me how to say a line because I'd got the inflection or things like that wrong . Do you believe in that ? very torn about it . Sometimes I think ...
... sometimes . I remember when I first started you used to do it to me all the time . You told me how to say a line because I'd got the inflection or things like that wrong . Do you believe in that ? very torn about it . Sometimes I think ...
Halaman 206
... sometimes coupled with the name of the Royal Shakespeare Company . But I suspect it's not so new as we sometimes like to think . I wonder what playing Shakespeare was like fifty years ago , and what it'll be like fifty years hence . I'm ...
... sometimes coupled with the name of the Royal Shakespeare Company . But I suspect it's not so new as we sometimes like to think . I wonder what playing Shakespeare was like fifty years ago , and what it'll be like fifty years hence . I'm ...
Isi
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Hak Cipta | |
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actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words