Playing ShakespeareMethuen, 1984 - 211 halaman Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Halaman 94
... soliloquy ? A situation in which a character is almost always alone and seems to be talking to himself . Should such a speech be done to oneself , or should it be shared with the audience ? There are very few absolute rules with ...
... soliloquy ? A situation in which a character is almost always alone and seems to be talking to himself . Should such a speech be done to oneself , or should it be shared with the audience ? There are very few absolute rules with ...
Halaman 99
... soliloquy explores is much more muddled . And sometimes its cross - currents may be a terrific mixture of , say , comedy and seriousness . Let's have a look at Viola's ring soliloquy . She's disguised as a boy . Malvolio has brought her ...
... soliloquy explores is much more muddled . And sometimes its cross - currents may be a terrific mixture of , say , comedy and seriousness . Let's have a look at Viola's ring soliloquy . She's disguised as a boy . Malvolio has brought her ...
Halaman 100
... soliloquy . It very clearly does what I spoke of earlier . It has a strong story - line . It responds to , explores and tries to solve a difficult situation . What is not so easy is the mixture of moods within it . A balance has to be ...
... soliloquy . It very clearly does what I spoke of earlier . It has a strong story - line . It responds to , explores and tries to solve a difficult situation . What is not so easy is the mixture of moods within it . A balance has to be ...
Isi
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Hak Cipta | |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words