Playing ShakespeareMethuen, 1984 - 211 halaman Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Halaman 40
... sense as strong As that which causeth it . Troilus and Cressida : IV.4 . The crux is ' violenteth ' , which you found difficult to say . Jane Lapotaire : Yes , I really have to stop and think when I get to that word , to do it that way ...
... sense as strong As that which causeth it . Troilus and Cressida : IV.4 . The crux is ' violenteth ' , which you found difficult to say . Jane Lapotaire : Yes , I really have to stop and think when I get to that word , to do it that way ...
Halaman 48
... sense . DIRECTOR : Exactly , well done , good boy . Because it gives us time in an ordinary , conventional sense . ACTOR : Oh , right . DIRECTOR : So , Shakespeare has given us time in a conventional sense . But he's given us something ...
... sense . DIRECTOR : Exactly , well done , good boy . Because it gives us time in an ordinary , conventional sense . ACTOR : Oh , right . DIRECTOR : So , Shakespeare has given us time in a conventional sense . But he's given us something ...
Halaman 195
... sense and the sounds will look after themselves ?? Those are comforting words to an actor . But are we sure that they are true ? I think that they are good counsel for starting work but I'm not sure that they take you all the way . What ...
... sense and the sounds will look after themselves ?? Those are comforting words to an actor . But are we sure that they are true ? I think that they are good counsel for starting work but I'm not sure that they take you all the way . What ...
Isi
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Hak Cipta | |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words