Playing ShakespeareMethuen, 1984 - 211 halaman Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Halaman 39
... rhythm , it's contrary to the rather stately rhythm of the rest of this particular speech . So if you hear a Shakespearean mispronouncing a word , he's actually mispronouncing it because it's what Shakespeare wants . Of course it's ...
... rhythm , it's contrary to the rather stately rhythm of the rest of this particular speech . So if you hear a Shakespearean mispronouncing a word , he's actually mispronouncing it because it's what Shakespeare wants . Of course it's ...
Halaman 68
... rhythm of blank verse : ' de - dum , de - dum , de - dum , de - dum , de - dum ' . Prose has no set rhythm , and is much trickier to analyse . And yet the principle is still the same . The most fruitful approach is , I believe , the ...
... rhythm of blank verse : ' de - dum , de - dum , de - dum , de - dum , de - dum ' . Prose has no set rhythm , and is much trickier to analyse . And yet the principle is still the same . The most fruitful approach is , I believe , the ...
Halaman 69
... rhythm so strong that you needn't break it up much . I couldn't quite see the wood for the trees , so try to focus ... rhythm of a prose speech just as much as a verse speech , and you certainly did so . ' What is honour ? A word . What ...
... rhythm so strong that you needn't break it up much . I couldn't quite see the wood for the trees , so try to focus ... rhythm of a prose speech just as much as a verse speech , and you certainly did so . ' What is honour ? A word . What ...
Isi
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Hak Cipta | |
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actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words