Playing ShakespeareMethuen, 1984 - 211 halaman Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Halaman 3
... rehearsal room . The test there is not whether a given statement is objectively true but whether it helps , stimulates and releases an actor at a particular rehearsal . If it does so , then the advice is useful . If it does not ...
... rehearsal room . The test there is not whether a given statement is objectively true but whether it helps , stimulates and releases an actor at a particular rehearsal . If it does so , then the advice is useful . If it does not ...
Halaman 194
... rehearsal I would put much more tentatively and discuss with the actors more fully over a length of time . I feel that circumstances have led me against my will and instincts into playing the high priest . Though I have often stressed ...
... rehearsal I would put much more tentatively and discuss with the actors more fully over a length of time . I feel that circumstances have led me against my will and instincts into playing the high priest . Though I have often stressed ...
Halaman 205
... rehearsal about intentions or character or the verse . Most actors pick them up pretty quickly because we share a rehearsal language . But poetry is at best a slow business and a slog . Sometimes to talk about it in detail inhibits and ...
... rehearsal about intentions or character or the verse . Most actors pick them up pretty quickly because we share a rehearsal language . But poetry is at best a slow business and a slog . Sometimes to talk about it in detail inhibits and ...
Isi
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Hak Cipta | |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words