Playing ShakespeareMethuen, 1984 - 211 halaman Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Halaman 68
... Prose ? [ The following actors took part in the programme that forms the basis of this chapter : TONY CHURCH , SINEAD CUSACK , SUSAN FLEETWOOD , LISA HARROW , BEN KINGSLEY , JANE LAPOTAIRE , BARBARA ... Prose-Why does Shakespeare use Prose?
... Prose ? [ The following actors took part in the programme that forms the basis of this chapter : TONY CHURCH , SINEAD CUSACK , SUSAN FLEETWOOD , LISA HARROW , BEN KINGSLEY , JANE LAPOTAIRE , BARBARA ... Prose-Why does Shakespeare use Prose?
Halaman 75
... prose and prose is followed by verse within particular scenes . Let us assume one thing . The change is never arbitrary but Shakespeare the director is telling us something thereby . First , we'll take another bit of Portia from The ...
... prose and prose is followed by verse within particular scenes . Let us assume one thing . The change is never arbitrary but Shakespeare the director is telling us something thereby . First , we'll take another bit of Portia from The ...
Halaman 77
... prose and Iago's verse are surely clear enough . Othello breaks down here , mentally and physically . His normal speech is noble and inclined to rhetoric , so the stabbing , half- articulate prose helps the actor who plays him to show ...
... prose and Iago's verse are surely clear enough . Othello breaks down here , mentally and physically . His normal speech is noble and inclined to rhetoric , so the stabbing , half- articulate prose helps the actor who plays him to show ...
Isi
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Hak Cipta | |
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actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words