Playing ShakespeareMethuen, 1984 - 211 halaman Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Halaman 44
... performance ? I think we should be very conscious of the verse in rehearsal but we shouldn't think about it in performance . If you've got it into your system it should then work on your subconscious . I've had to cram a lot of points ...
... performance ? I think we should be very conscious of the verse in rehearsal but we shouldn't think about it in performance . If you've got it into your system it should then work on your subconscious . I've had to cram a lot of points ...
Halaman 180
... performance is something that in a deep sense no longer really belongs to me . So though I may have strong views about how Shakespeare saw Shylock , these views were rightly transformed by Patrick and David . Their rich performances are ...
... performance is something that in a deep sense no longer really belongs to me . So though I may have strong views about how Shakespeare saw Shylock , these views were rightly transformed by Patrick and David . Their rich performances are ...
Halaman 183
... performance . I always feel when we've opened that the production doesn't belong to me any more ; it's yours , it belongs to the actors . Ian McKellen : However , I do remember on the last performance of a play , you came round to the ...
... performance . I always feel when we've opened that the production doesn't belong to me any more ; it's yours , it belongs to the actors . Ian McKellen : However , I do remember on the last performance of a play , you came round to the ...
Isi
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Hak Cipta | |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words