Playing ShakespeareMethuen, 1984 - 211 halaman Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Halaman 109
... never shaken ; It is the star to every wandering bark , Whose worth's unknown although his height be taken . Love's not Time's fool , though rosy lips and cheeks Within his bending sickle's compass come ; Love alters not with his brief ...
... never shaken ; It is the star to every wandering bark , Whose worth's unknown although his height be taken . Love's not Time's fool , though rosy lips and cheeks Within his bending sickle's compass come ; Love alters not with his brief ...
Halaman 171
... never lets the audience or the other characters forget the Jewish thing . You only have to look at the trial scene ... never be able to free myself from it , and that I could never find a human being at the heart of that set exterior ...
... never lets the audience or the other characters forget the Jewish thing . You only have to look at the trial scene ... never be able to free myself from it , and that I could never find a human being at the heart of that set exterior ...
Halaman 209
... never be split . Any actor who does split them will run into problems . So never split them . What else have the passages we've heard this session proved but this ? In Shakespeare the character and the poetry go together . More than ...
... never be split . Any actor who does split them will run into problems . So never split them . What else have the passages we've heard this session proved but this ? In Shakespeare the character and the poetry go together . More than ...
Isi
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Hak Cipta | |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words