Playing ShakespeareMethuen, 1984 - 211 halaman Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Halaman 130
... moved withal . Coriolanus : V.3 . Aufidius's reply is so brief that it's hard to be certain of his intention . Clearly it's very ambiguous . He was moved , but he puts it dryly and stands outside his own emotion , as Ben did then . The ...
... moved withal . Coriolanus : V.3 . Aufidius's reply is so brief that it's hard to be certain of his intention . Clearly it's very ambiguous . He was moved , but he puts it dryly and stands outside his own emotion , as Ben did then . The ...
Halaman 133
... moved on from what is objective to what is subjective . Talking about irony has led us inexorably to talking about interpretation and in the remaining sessions of this series we shall go further that way . I hope you won't think that I ...
... moved on from what is objective to what is subjective . Talking about irony has led us inexorably to talking about interpretation and in the remaining sessions of this series we shall go further that way . I hope you won't think that I ...
Halaman 179
... moved to the door , and then let out a long sigh as he left . And of course we have a great modern version of it too : Olivier's howl from somewhere way off in the corridors of the Old Vic . It is extraordinary that Shakespeare provides ...
... moved to the door , and then let out a long sigh as he left . And of course we have a great modern version of it too : Olivier's howl from somewhere way off in the corridors of the Old Vic . It is extraordinary that Shakespeare provides ...
Isi
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Hak Cipta | |
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actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words