Playing ShakespeareMethuen, 1984 - 211 halaman Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Halaman 124
... give thee that due , Uttering bafe truth , even so as foes commend . Thine outward thus with outward praise is crown'd ; But those same tongues that give thee so thine own In other accents do this praise confound By seeing farther than ...
... give thee that due , Uttering bafe truth , even so as foes commend . Thine outward thus with outward praise is crown'd ; But those same tongues that give thee so thine own In other accents do this praise confound By seeing farther than ...
Halaman 161
... Give me now leave , to leave thee . FESTE : Now the melancholy god protect thee , . . . for thy mind is a very opal . I would have men of such constancy put to sea , that their business might be everything and their intent everywhere ...
... Give me now leave , to leave thee . FESTE : Now the melancholy god protect thee , . . . for thy mind is a very opal . I would have men of such constancy put to sea , that their business might be everything and their intent everywhere ...
Halaman 167
... give her this jewel ; say My love can give no place , bide no denay . Good , I think you took that beautifully . It was a good rehearsal . I know I probably gave you too many textual points to digest all at once . So I must stress that ...
... give her this jewel ; say My love can give no place , bide no denay . Good , I think you took that beautifully . It was a good rehearsal . I know I probably gave you too many textual points to digest all at once . So I must stress that ...
Isi
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Hak Cipta | |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words