Playing ShakespeareMethuen, 1984 - 211 halaman Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Halaman 57
... audience's intelligence . It's just a matter of hitting the mean , isn't it ? Yes , balance again . But you're right , it's really an invitation to the audience to go with you . That's a good definition . Lisa Harrow : It carries the ...
... audience's intelligence . It's just a matter of hitting the mean , isn't it ? Yes , balance again . But you're right , it's really an invitation to the audience to go with you . That's a good definition . Lisa Harrow : It carries the ...
Halaman 86
... audience ? Let me take you back to something that I said at the beginning . I don't believe that most audiences really listen to a complex text unless the actor makes them do so . I know I don't ; I know that my attention wanders if the ...
... audience ? Let me take you back to something that I said at the beginning . I don't believe that most audiences really listen to a complex text unless the actor makes them do so . I know I don't ; I know that my attention wanders if the ...
Halaman 187
... audience . So if your intention is to reveal the play or what you can see in it to the audience , then your heart's in the right place and I forgive you time and time again . Every so often it works spectacularly well . Maybe , but I am ...
... audience . So if your intention is to reveal the play or what you can see in it to the audience , then your heart's in the right place and I forgive you time and time again . Every so often it works spectacularly well . Maybe , but I am ...
Isi
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Hak Cipta | |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words