Playing ShakespeareMethuen, 1984 - 211 halaman Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Halaman 11
... Ian McKellen : ' In sooth I know not why I am so sad . ' Now that simple line can be said in an infinite number of ways . On the one hand you could go for the mood and the quality of it . Try it , for instance , sadly . Ian McKellen ...
... Ian McKellen : ' In sooth I know not why I am so sad . ' Now that simple line can be said in an infinite number of ways . On the one hand you could go for the mood and the quality of it . Try it , for instance , sadly . Ian McKellen ...
Halaman 12
... Ian McKellen : Make a connection between the mouth and the brain and then with the heart : In sooth I know not why I am so sad . ' Now try changing the intention to avoid explaining yourself . Ian McKellen ( does so ) : In sooth I know ...
... Ian McKellen : Make a connection between the mouth and the brain and then with the heart : In sooth I know not why I am so sad . ' Now try changing the intention to avoid explaining yourself . Ian McKellen ( does so ) : In sooth I know ...
Halaman 16
John Barton, Royal Shakespeare Company. Ian McKellen : We can take comfort from the fact that people who come to a theatre are called an audience . . . audio ... hear ... Ian McKellen : Yes , it's quite easy for a 16 • PLAYING SHAKESPEARE.
John Barton, Royal Shakespeare Company. Ian McKellen : We can take comfort from the fact that people who come to a theatre are called an audience . . . audio ... hear ... Ian McKellen : Yes , it's quite easy for a 16 • PLAYING SHAKESPEARE.
Isi
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Hak Cipta | |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words