Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music
University of Chicago Press, 2000 - 492 halaman
The Balinese gamelan, with its shimmering tones, breathless pace, and compelling musical language, has long captivated musicians, composers, artists, and travelers. Here, Michael Tenzer offers a comprehensive and durable study of this sophisticated musical tradition, focusing on the preeminent twentieth-century genre, gamelan gong kebyar.
Combining the tools of the anthropologist, composer, music theorist, and performer, Tenzer moves fluidly between ethnography and technical discussions of musical composition and structure. In an approach as intricate as one might expect in studies of Western classical music, Tenzer's rigorous application of music theory and analysis to a non-Western orchestral genre is wholly original. Illustrated throughout, the book also includes nearly 100 pages of musical transcription (in Western notation) that correlate with 55 separate tracks compiled on two accompanying compact discs.
The most ambitious work on gamelan since Colin McPhee's classic Music in Bali, this book will interest musicians of all kinds and anyone interested in the art and culture of Southeast Asia, Indonesia, and Bali.
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Approaches to Kebyar
The Social Construction of Kebyar Ensemble Virtuosity
Contexts for Kebyar Theory
Structure in Kebyar
Melody and Figuration
Meter and Drumming
Form and Composition
Kebyar in Bali and Abroad
Kebyar and Ideas of New Music
Edisi yang lain - Lihat semua
angsel asymmetrical Axis Bali Balinese music balungan banjar bapang beats Beratha calung CC-group cengceng cengkok colotomic composers composition context cultural cycle cyclic dance dancers dang deng Denpasar ding dong drum patterns drummers dung dynamic elaboration ensemble Festival figure gambang gambuh gamelan gambang gamelan gambuh gandrung gangsa gender wayang gending gineman gong tone gongan improvisation instruments interlocking Java Javanese jegogan kawitan kempli kempur kendang kidung kotekan lanang legong lelambatan majalan McPhee melody metacycles metallophones meter metric midpoint musicians neliti ngubeng norot notation nyog cag Nyoman octave orchestral pair payasan pegambuhan pegongan pelegongan pelog pengawak pengecet pengisep performance played players pokok rebab repertoire reyong rhythm rhythmic ritual scale tones scale-tone sekaha Sekar Sinti slendro sound strata stratum stress strokes structure STSI style subpattern Suweca tabuh kreasi tabuh telu telu tempo texture tion tonal topic trompong tuned ubit-ubitan ugal village wadon Wayan Western Wilet Mayura