Music in the Seventeenth CenturyCambridge University Press, 26 Nov 1987 - 346 halaman The seventeenth century was a period of profound change in the history of music. In this volume Lorenzo Bianconi considers the radical developments of the century as long-lived musical traditions died out and others were created in response to new social functions. This period saw, for example, the flowering of the polyphonic madrigal and its subsequent decline in favour of a new concertato style, the rise of the basso continuo and the growth of purely instrumental composition. Most importantly it saw the rapid rise and persistent growth of a new genre of immeasurable significance: opera. In examining the plurality of coexistent musical styles Lorenzo Bianconi also discusses the socio-historical and cultural aspects of seventeenth-century music history: the opening out towards rational modes of scientific enquiry and theoretical speculation; the social position of the musician in the age of the first theatrical and musical entrepreneurs; the decline of Italian music publishing and the spread of the market to northern Europe. In considering these problems Lorenzo Bianconi presents a fresh picture of musical life in the seventeenth century, taking, like other books from the Italian series Storia della Musica, a broadly contextual approach. |
Isi
THE EARLY DECADES | 1 |
2 Giovan Battista Marino and the poesia per musica | 7 |
3 Music for solo voice | 14 |
4 Claudio Monteverdi before 1620 | 21 |
6 Concerto | 33 |
7 Monteverdi after 1620 | 36 |
PROBLEMS OF SEVENTEENTH CENTURY MUSIC | 45 |
9 Scientific thought and musical theory | 51 |
20 Opera before 1637 | 170 |
21 The Venetian theatres | 180 |
22 The diffusion of opera in Italy | 190 |
23 Formal and dramatic convention the lament | 204 |
Vienna and Hamburg | 220 |
JeanBaptiste Lully | 237 |
26 Theatrical music in England and Spain | 252 |
SOURCE READINGS | 265 |
10 Theory and practice | 57 |
11 Musical publicity | 65 |
12 Music publishing and music collecting | 73 |
13 Social condition of the musician | 82 |
14 Instrumental and dance music | 91 |
SACRED VOCAL MUSIC | 105 |
16 Catholic devotional music | 119 |
Heinrich Schiitz | 133 |
France and England | 147 |
OPERA | 161 |
Turin 1620 | 271 |
Antonio Maria Abbatini | 285 |
Heinrich Schiitz | 292 |
Ode on the Death of Henry Purcell | 300 |
Cristoforo Ivanovich | 302 |
Barthold Feind | 311 |
327 | |
336 | |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
appear aria Arianna artistic ballet basso continuo Bologna cantus firmus canzonetta Cavalli celebrated century chapter characters choir chorale Church composer composition concept concerto contemporary context continued contrapuntal court cultural dance decade dialogue dissonances dramatic dramma per musica effect entertainment example Febiarmonici Florence Francesco French genre German Giasone Giovan Giovanni grand motet Hamburg harmony Heinrich Schütz imitation instrumental Italian Italy lament less librettist literary liturgical Lully madrigal maestro di cappella Marino melody modern Monteverdi motets musical theatre musicians Naples notable opera oratorio organization original Palestrina performance poet poetic poetry polyphonic princes production psalms public opera published Purcell recitative repertory represented ritornello Roman Rome royal scene scenic Schütz score Serene seventeenth seventeenth-century musical Sigismondo d'India singers singing solo voice song spectators stage strophic structure style stylistic stylus sung syllable Teatro theatre theatrical themes tonal tradition tragédie lyrique various Venetian Venice verse Virgilio Mazzocchi vocal words