The Columbia Companion to American History on Film: How the Movies Have Portrayed the American PastPeter C. Rollins Columbia University Press, 24 Mar 2004 - 696 halaman American history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans'sense of the past likely comes more from Hollywood than from the works of historians. In important films such as The Birth of a Nation (1915), Roots (1977), Apocalypse Now (1979), and Saving Private Ryan (1998), how much is entertainment and how much is rooted in historical fact? In The Columbia Companion to American History on Film, more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic. |
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... continued in his next effort, The Magnificent Ambersons (1942), an adaptation of Booth Tarkington's novel of the same title. Literary adaptations generally produced some of the more realistic images of the decade in film. For example ...
... continued process of business consolidation. Progressive idealism faltered. Although it blazed bravely in the Harlem Renaissance— that awakening of black culture when artists such as writers Jean Toomer and Langston Hughes and musicians ...
... continued to hold this unsavory reputation for years to come. As the Depression continued, Hollywood directors—including Capra—took the country's economic failures more seriously. They began to depict an intractable Depression that ...
... continued to defend America's failed efforts in Indochina. Motion Pictures About the 1970s Media It was within this extended backdrop that many significant films of the 1970s were created. Sidney Lumet's Network (1976) and Alan J ...
... continued to fester, the most successful films were often wish-fulfillment fantasies, which offered solutions to pervasive pressures. Perhaps the most significant among these are John Avildsen's Rocky (1976) and George Lucas's Star Wars ...
Isi
Women in the Twentieth Century | 310 |
V Institutions and Movements | 317 |
Baseball | 319 |
City and State Government | 326 |
Civil Rights | 331 |
Congress | 344 |
The Family | 352 |
Football | 363 |
49 | |
58 | |
The Cold War | 69 |
The Korean War | 81 |
The MexicanAmerican War and the SpanishAmerican War | 86 |
The Vietnam War | 93 |
Westward Expansion and the Indian Wars | 103 |
World War I | 109 |
Documentaries | 116 |
Feature Films | 125 |
III Notable People | 137 |
The Antebellum Frontier Hero | 139 |
Christopher Columbus | 148 |
The Founding Fathers | 153 |
Indian Leaders | 161 |
The Kennedys | 169 |
Abraham Lincoln | 175 |
Richard Nixon | 180 |
Franklin and Eleanor Roosevelt | 184 |
Babe Ruth and Lou Gehrig | 191 |
Harry S Truman | 196 |
George Washington | 198 |
IV Groups | 205 |
African Americans After World War II | 207 |
Arab Americans | 218 |
Asian Americans | 225 |
Catholic Americans | 234 |
Children and Teenagers in the Twentieth Century | 241 |
Irish Americans | 249 |
Italian Americans | 256 |
Jewish Americans | 263 |
Mexican Americans | 269 |
Native Americans | 277 |
Radicals and Radicalism | 288 |
Robber Barons Media Moguls and Power Elites | 297 |
Women from the Colonial Era to 1900 | 303 |
Journalism and the Media | 374 |
The Labor Movement and the Working Class | 383 |
Militias and Extremist Political Movements | 392 |
The Political Machine | 398 |
The Presidency After World War II | 402 |
Private Schools | 409 |
Public High Schools | 413 |
VI Places | 419 |
The Midwest | 421 |
New York City | 437 |
The Sea | 447 |
The Small Town | 457 |
The South | 462 |
Space | 473 |
Suburbia | 480 |
Texas and the Southwest | 488 |
The TransAppalachian West | 497 |
VII Themes and Topics | 507 |
Crime and the Mafia | 509 |
Drugs Tobacco and Alcohol | 518 |
Elections and Party Politics | 527 |
Feminism and Feminist Films | 534 |
Railroads | 541 |
Sexuality | 545 |
Slavery | 552 |
VIII Myths and Hero | 559 |
The American Adam | 561 |
The American Fighting Man | 567 |
Democracy and Equality | 572 |
The Frontier and the West | 578 |
Hollywoods Detective | 583 |
The Machine in the Garden | 590 |
Success and the SelfMade Man | 596 |
CONTRIBUTORS | 603 |
Iindex | 607 |
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