Race and Time: American Women's Poetics from Antislavery to Racial ModernityUniversity of Iowa Press, 1 Mar 2004 - 336 halaman Race and Time urges our attention to women’s poetry in considering the cultural history of race. Building on close readings of well known and less familiar poets—including Elizabeth Margaret Chandler, Sarah Louisa Forten, Hannah Flagg Gould, Frances Ellen Watkins Harper, Sarah Piatt, Mary Eliza Tucker Lambert, Sarah Josepha Hale, Eliza Follen, and Mary Mapes Dodge—Gray traces tensions in women’s literary culture from the era of abolitionism to the rise of the Plantation tradition. She devotes a chapter to children’s verse, arguing that racial stereotypes work as “nonsense” that masks conflicts in the construction of white childhood. A compilation of the poems cited, most of which are difficult to find elsewhere, is included as an appendix. Gray clarifies the cultural roles women’s poetry played in the nineteenth-century United States and also reveals that these poems offer a fascinating, dynamic, and diverse field for students of social and cultural history. Gray’s readings provide a rich sense of the contexts in which this poetry is embedded and examine its aesthetic and political vitality in meticulous detail, linking careful explication of the texts with analysis of the history of poetry, canons, literacy, and literary authority. Race and Time distinguishes itself from other critical studies not only through its searching, in-depth readings but also through its sustained attention to less known poets and its departure from a Dickinson-centered model. Most significantly, it offers a focus on race, demonstrating how changes in both the U.S. racial structure and women’s place in public culture set the terms for change in how women poets envisioned the relationship between poetry and social power. Gray’s work makes contributions to several fields of study: poetry, U.S. literary history and American studies, women’s studies, African American studies and whiteness studies, children’s literature, and cultural studies. While placing the works of figures who have been treated elsewhere (e.g., Dickinson and Harper) into revealing new relationships, Race and Time does much to open interdisciplinary discussion of unfamiliar works. |
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... tears between the child subject and the adult subject and between a fresh and a bitter emotion : Tears made of dew were in my eyes ( These after - tears are made of brine ) : . . . ( ll . 115-6 ) Here Piatt complicates the sentimental ...
... tears the will , “ de- clares ' tis Law's command , " and everyone vanishes , except a clerk who is left to write until the last judgment " until earth's pall of night / Is changed for robes of glorious light ” ( ll . 692 , 695–6 ) ...
... Tears made of dew were in my eyes ( These after - tears are made of brine ) : No sweeter soul is in the skies Than hers , my mother's nurse and mine . 1883/95 IO Chapter . 6 Frances Harper AUNT CHLOE I remember , well remember , That ...
Isi
Contesting the Pearl Whiteness Blackness and | 27 |
Skins May Differ Womens Republicanism | 63 |
The Mummy Returns Humor Kinship and the Bindings | 86 |
Hak Cipta | |
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Race and Time: American Women's Poetics from Antislavery to Racial Modernity Janet Gray Pratinjau terbatas - 2004 |
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