Shakespeare Quarterly, Volume 8Folger Shakespeare Library, 1957 Focuses on all aspects of Shakespeare studies, including criticism of the plays and poems, theater history, Shakespeare pedagogy, the history of Shakespeare as an institution, and studies in editing, text, canon, and bibliography. Also contains review-essays on Royal Shakespeare Company and other significant stage and film productions around the world. |
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Halaman 54
... speak . Then he bestows " with all my heart " on Othello that which he already has and which Brabantio , with all his heart , would have kept from him . The scene makes clear to all that Othello does " love the gentle Desdemona " , as ...
... speak . Then he bestows " with all my heart " on Othello that which he already has and which Brabantio , with all his heart , would have kept from him . The scene makes clear to all that Othello does " love the gentle Desdemona " , as ...
Halaman 155
... Speak . Cordelia . Nothing my lord . Lear . Nothing ? Cordelia . Nothing . Lear . Nothing will come of nothing . Speak again . Cordelia . Unhappy that I am , I cannot heave Lear . Cordelia . My heart into my mouth . I love your Majesty ...
... Speak . Cordelia . Nothing my lord . Lear . Nothing ? Cordelia . Nothing . Lear . Nothing will come of nothing . Speak again . Cordelia . Unhappy that I am , I cannot heave Lear . Cordelia . My heart into my mouth . I love your Majesty ...
Halaman 157
... speak . The pathetic reference to " her kind nursery " cannot have left her unmoved ; and Lear's furious outburst , the reiteration of his oath , and his impersonal mode of address , may mean that he will not tolerate a further word ...
... speak . The pathetic reference to " her kind nursery " cannot have left her unmoved ; and Lear's furious outburst , the reiteration of his oath , and his impersonal mode of address , may mean that he will not tolerate a further word ...
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VOLUME VIII | 3 |
The Gallery over the Stage in the Public Playhouse | 15 |
The Statistical Measurement of a Stylistic Trait | 33 |
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action actors Antony and Cleopatra Arden audience briefly in TLS Brutus century character Claudius comedy Cordelia costumes criticism Cymbeline dance daughter death Dorsch dramatic edition editors Elizabethan England English evidence Falstaff father Folio fool gallery Gertrude Hamlet haue Hellen Henry Hermann Heuer Heuer in SJ human Iago imagery interpretation James John Johnson Julius Caesar King Lear Lady Lear's lines London Lord Lucrece Macbeth madness modern moral nature night Old Vic Othello passage performance Players plot poem poetry Press printed production Professor Wellek's prose Quarto Queen reader reading reason Richard Richard II Robert Romeo and Juliet says scene Shak Shak.'s Shake Shakespeare's plays Shakespearian Shaw ſhe speare speech Stratford suggested Theatre Thomas thou Timon Timon of Athens tion Tragedy Troilus and Cressida Trussell Twelfth Night Univ University verse William Wilson words XCII York