Shakespeare Quarterly, Volume 8Folger Shakespeare Library, 1957 Focuses on all aspects of Shakespeare studies, including criticism of the plays and poems, theater history, Shakespeare pedagogy, the history of Shakespeare as an institution, and studies in editing, text, canon, and bibliography. Also contains review-essays on Royal Shakespeare Company and other significant stage and film productions around the world. |
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Halaman 143
... reason as to conscience , the " highest part of reason " as the Elizabethans understood it . Unlike reason , conscience was no passive instrument of the human mind , but an ever - active agency centered in the heart of man , and also in ...
... reason as to conscience , the " highest part of reason " as the Elizabethans understood it . Unlike reason , conscience was no passive instrument of the human mind , but an ever - active agency centered in the heart of man , and also in ...
Halaman 168
... reason and passion , and though he finds that Troilus is " kindly treated " by Shakespeare , measures the play by the yardstick of reason : Troilus is left to expiate in misery the error of having loved unwisely and too well a woman ...
... reason and passion , and though he finds that Troilus is " kindly treated " by Shakespeare , measures the play by the yardstick of reason : Troilus is left to expiate in misery the error of having loved unwisely and too well a woman ...
Halaman 176
... Reason is not a utilizable standard for human conduct , and we can sympathize with Ulysses just because he is proved fallible like us . Moreover , Ulysses himself picks up a line of thought begun by Troilus and Hector much earlier , in ...
... Reason is not a utilizable standard for human conduct , and we can sympathize with Ulysses just because he is proved fallible like us . Moreover , Ulysses himself picks up a line of thought begun by Troilus and Hector much earlier , in ...
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VOLUME VIII | 3 |
The Gallery over the Stage in the Public Playhouse | 15 |
The Statistical Measurement of a Stylistic Trait | 33 |
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action actors Antony and Cleopatra Arden audience briefly in TLS Brutus century character Claudius comedy Cordelia costumes criticism Cymbeline dance daughter death Dorsch dramatic edition editors Elizabethan England English evidence Falstaff father Folio fool gallery Gertrude Hamlet haue Hellen Henry Hermann Heuer Heuer in SJ human Iago imagery interpretation James John Johnson Julius Caesar King Lear Lady Lear's lines London Lord Lucrece Macbeth madness modern moral nature night Old Vic Othello passage performance Players plot poem poetry Press printed production Professor Wellek's prose Quarto Queen reader reading reason Richard Richard II Robert Romeo and Juliet says scene Shak Shak.'s Shake Shakespeare's plays Shakespearian Shaw ſhe speare speech Stratford suggested Theatre Thomas thou Timon Timon of Athens tion Tragedy Troilus and Cressida Trussell Twelfth Night Univ University verse William Wilson words XCII York