Shakespeare Quarterly, Volume 8Folger Shakespeare Library, 1957 Focuses on all aspects of Shakespeare studies, including criticism of the plays and poems, theater history, Shakespeare pedagogy, the history of Shakespeare as an institution, and studies in editing, text, canon, and bibliography. Also contains review-essays on Royal Shakespeare Company and other significant stage and film productions around the world. |
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Halaman 26
... audience ( the ratio of spectators on any three sides of the stage to those on the fourth being therefore 3 : 1 ) , as with the situation of an " open " stage , where , the stage being set up ( so to speak ) at one side of a " room ...
... audience ( the ratio of spectators on any three sides of the stage to those on the fourth being therefore 3 : 1 ) , as with the situation of an " open " stage , where , the stage being set up ( so to speak ) at one side of a " room ...
Halaman 238
... audience or what Professor Harbage calls " a determined spirit of helpfulness " . He believes that a " qualified audience " exists , capable of a complete response to Shakespeare , if only the pro- duction did not stand between them ...
... audience or what Professor Harbage calls " a determined spirit of helpfulness " . He believes that a " qualified audience " exists , capable of a complete response to Shakespeare , if only the pro- duction did not stand between them ...
Halaman 511
... audience and a triangular balcony at the back with steps leading up to it on each side . There are four large steps ... audience is more than 70 feet from the stage . The aisles through the audience are used for entrances and exits ...
... audience and a triangular balcony at the back with steps leading up to it on each side . There are four large steps ... audience is more than 70 feet from the stage . The aisles through the audience are used for entrances and exits ...
Isi
VOLUME VIII | 3 |
The Gallery over the Stage in the Public Playhouse | 15 |
The Statistical Measurement of a Stylistic Trait | 33 |
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action actors Antony and Cleopatra Arden audience briefly in TLS Brutus century character Claudius comedy Cordelia costumes criticism Cymbeline dance daughter death Dorsch dramatic edition editors Elizabethan England English evidence Falstaff father Folio fool gallery Gertrude Hamlet haue Hellen Henry Hermann Heuer Heuer in SJ human Iago imagery interpretation James John Johnson Julius Caesar King Lear Lady Lear's lines London Lord Lucrece Macbeth madness modern moral nature night Old Vic Othello passage performance Players plot poem poetry Press printed production Professor Wellek's prose Quarto Queen reader reading reason Richard Richard II Robert Romeo and Juliet says scene Shak Shak.'s Shake Shakespeare's plays Shakespearian Shaw ſhe speare speech Stratford suggested Theatre Thomas thou Timon Timon of Athens tion Tragedy Troilus and Cressida Trussell Twelfth Night Univ University verse William Wilson words XCII York