Shakespeare Quarterly, Volume 8Folger Shakespeare Library, 1957 Focuses on all aspects of Shakespeare studies, including criticism of the plays and poems, theater history, Shakespeare pedagogy, the history of Shakespeare as an institution, and studies in editing, text, canon, and bibliography. Also contains review-essays on Royal Shakespeare Company and other significant stage and film productions around the world. |
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Halaman 66
... Falstaff's first nature is the " substance of his character [ which ] remains unimpaired ” , for " Falstaff himself has a distinct and separate subsistence . " Falstaff's courage , remember , is not moral but constitutional . It is not ...
... Falstaff's first nature is the " substance of his character [ which ] remains unimpaired ” , for " Falstaff himself has a distinct and separate subsistence . " Falstaff's courage , remember , is not moral but constitutional . It is not ...
Halaman 362
... Falstaff , the opposite of the real father in all those qualities that the prince resents , and yet like enough the real father to make the identification possible . Falstaff , without a son of his own , has found that son in Hal ; and ...
... Falstaff , the opposite of the real father in all those qualities that the prince resents , and yet like enough the real father to make the identification possible . Falstaff , without a son of his own , has found that son in Hal ; and ...
Halaman 365
... Falstaff's climactic line , My King , my Jove , I speak to thee my heart ! For Hal is Falstaff's Jove , the son who deposes his king - father , old Saturn . It is only at this appropriate moment that Falstaff calls Hal Jove . He has ...
... Falstaff's climactic line , My King , my Jove , I speak to thee my heart ! For Hal is Falstaff's Jove , the son who deposes his king - father , old Saturn . It is only at this appropriate moment that Falstaff calls Hal Jove . He has ...
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VOLUME VIII | 3 |
The Gallery over the Stage in the Public Playhouse | 15 |
The Statistical Measurement of a Stylistic Trait | 33 |
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action actors Antony and Cleopatra Arden audience briefly in TLS Brutus century character Claudius comedy Cordelia costumes criticism Cymbeline dance daughter death Dorsch dramatic edition editors Elizabethan England English evidence Falstaff father Folio fool gallery Gertrude Hamlet haue Hellen Henry Hermann Heuer Heuer in SJ human Iago imagery interpretation James John Johnson Julius Caesar King Lear Lady Lear's lines London Lord Lucrece Macbeth madness modern moral nature night Old Vic Othello passage performance Players plot poem poetry Press printed production Professor Wellek's prose Quarto Queen reader reading reason Richard Richard II Robert Romeo and Juliet says scene Shak Shak.'s Shake Shakespeare's plays Shakespearian Shaw ſhe speare speech Stratford suggested Theatre Thomas thou Timon Timon of Athens tion Tragedy Troilus and Cressida Trussell Twelfth Night Univ University verse William Wilson words XCII York