The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 halaman V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Halaman 253
... stage . The boxes flanking the stage were even more costly than the pit , while the more exhibitionistic of gallants in the audience could hire a stool and sit on the stage itself . The indoor playhouses of the early seventeenth century ...
... stage . The boxes flanking the stage were even more costly than the pit , while the more exhibitionistic of gallants in the audience could hire a stool and sit on the stage itself . The indoor playhouses of the early seventeenth century ...
Halaman 254
... stage without fireworks spouting from their mouths and their backsides , whereas the indoor venues dared shoot off nothing louder than a pistol . The public playhouses used trumpets where the halls played recorders . The indoor stages ...
... stage without fireworks spouting from their mouths and their backsides , whereas the indoor venues dared shoot off nothing louder than a pistol . The public playhouses used trumpets where the halls played recorders . The indoor stages ...
Halaman 259
... Stage 1574-1642 ( 2nd edn Cam- bridge , 1980 ) , 114 , 196 . 6. The best modern account of the Elizabethan playhouses is Glynne Wickham , Early English Stages 1300-1600 ( London , 1959– ) Vol . II , 1 and 2. Most of the available ...
... Stage 1574-1642 ( 2nd edn Cam- bridge , 1980 ) , 114 , 196 . 6. The best modern account of the Elizabethan playhouses is Glynne Wickham , Early English Stages 1300-1600 ( London , 1959– ) Vol . II , 1 and 2. Most of the available ...
Istilah dan frasa umum
action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York