The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 halaman V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Halaman 7
... seems to confirm that literature – both yesterday's literature and today's - has a real and not merely a nominal existence among a large number of people ; and its main aim has been to help validate as firmly as possible this feeling ...
... seems to confirm that literature – both yesterday's literature and today's - has a real and not merely a nominal existence among a large number of people ; and its main aim has been to help validate as firmly as possible this feeling ...
Halaman 306
... seems wiser to stop short of invoking such an abstraction as ' Caesarism ' ; Shakespeare shows conspicuous discretion in not raising in our minds the question of what Caesar's rule would really have been like . What matters for the play ...
... seems wiser to stop short of invoking such an abstraction as ' Caesarism ' ; Shakespeare shows conspicuous discretion in not raising in our minds the question of what Caesar's rule would really have been like . What matters for the play ...
Halaman 330
... seems especially closely connected with recurring and interrelated imagery , that is not because possible ... seems to demand from them ( not on what a lively producer can do with it ! ) requires a lot of fairly intense reading . But in ...
... seems especially closely connected with recurring and interrelated imagery , that is not because possible ... seems to demand from them ( not on what a lively producer can do with it ! ) requires a lot of fairly intense reading . But in ...
Istilah dan frasa umum
action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York