The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 halaman V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Halaman 255
... scene . Otherwise it was a matter of the words signalling the context . The fifteen or more scenes marked by editors in Act IV of Antony and Cleopatra would not have been recognizable on the Elizabethan stage . The custom of registering ...
... scene . Otherwise it was a matter of the words signalling the context . The fifteen or more scenes marked by editors in Act IV of Antony and Cleopatra would not have been recognizable on the Elizabethan stage . The custom of registering ...
Halaman 273
... scene is skilfully placed immediately before the final appearance of the virtuous Old Man , who endures bodily torments for the sake of true immortality , thus preparing for the final scene . That scene has never lacked admirers , and ...
... scene is skilfully placed immediately before the final appearance of the virtuous Old Man , who endures bodily torments for the sake of true immortality , thus preparing for the final scene . That scene has never lacked admirers , and ...
Halaman 323
... scene , to Iago's idiom . His speech , too , is characterized by images , but when he talks , for ex- ample , of the sea , it is to present a clear - cut intellectualized analogy : ' I ...... must be be - lee'd and calm'd By debitor and ...
... scene , to Iago's idiom . His speech , too , is characterized by images , but when he talks , for ex- ample , of the sea , it is to present a clear - cut intellectualized analogy : ' I ...... must be be - lee'd and calm'd By debitor and ...
Istilah dan frasa umum
action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York