The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 halaman V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Halaman 128
... reader in search of guidance to Spenser's work is caught between some experts using freedom of association ever more and more widely , and others demanding a heavier and heavier burden of esoteric knowledge . All this is understandable ...
... reader in search of guidance to Spenser's work is caught between some experts using freedom of association ever more and more widely , and others demanding a heavier and heavier burden of esoteric knowledge . All this is understandable ...
Halaman 242
... reader may detect rhymes and puns which in fact did not exist for the original reader or audience . One difference in the vowel - system of the language was that Elizabethan English had two long vowels where we have only one . The words ...
... reader may detect rhymes and puns which in fact did not exist for the original reader or audience . One difference in the vowel - system of the language was that Elizabethan English had two long vowels where we have only one . The words ...
Halaman 330
... reader to respond with the whole of his active imagination . It is only when the mind of the reader is thoroughly ' roused and awakened'2 that meanings from below the level of ' plot ' and ' character ' crystallize out and form ...
... reader to respond with the whole of his active imagination . It is only when the mind of the reader is thoroughly ' roused and awakened'2 that meanings from below the level of ' plot ' and ' character ' crystallize out and form ...
Istilah dan frasa umum
action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York