The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 halaman V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Halaman 91
... mind and appetites and the sensible world ( Art , III . xxiii ) ; while Hoskins makes even plainer the ideal relationship between Nature and the arts of speech ( Directions for Style , 1599 ) : ... The order of God's creatures in ...
... mind and appetites and the sensible world ( Art , III . xxiii ) ; while Hoskins makes even plainer the ideal relationship between Nature and the arts of speech ( Directions for Style , 1599 ) : ... The order of God's creatures in ...
Halaman 113
... mind ; whereas reason doth buckle and bow the mind unto the nature of things . ' Feigned History ' indicates Bacon's severance between the words of poetry and its matter , though even so he is uneasy ( ' it is not good to stay too long ...
... mind ; whereas reason doth buckle and bow the mind unto the nature of things . ' Feigned History ' indicates Bacon's severance between the words of poetry and its matter , though even so he is uneasy ( ' it is not good to stay too long ...
Halaman 433
... mind , is equally important . Mont- surry's speech is both lustrous , set about with verbal ornament , and forceful in the sense of using its figures to reveal to the reader what is in the mind of the dramatic character . Chapman ...
... mind , is equally important . Mont- surry's speech is both lustrous , set about with verbal ornament , and forceful in the sense of using its figures to reveal to the reader what is in the mind of the dramatic character . Chapman ...
Istilah dan frasa umum
action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York