The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 halaman V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Halaman 7
... feeling for a living literature and for the values it embodies . The Guide is partly designed for the committed student of litera- ture . But it has also been written for those many readers who accept with genuine respect what is known ...
... feeling for a living literature and for the values it embodies . The Guide is partly designed for the committed student of litera- ture . But it has also been written for those many readers who accept with genuine respect what is known ...
Halaman 91
... feeling alone , he finds instead some of the favoured de- vices that were grouped together under the heading of Amplification making the most of one's theme the best means , according to Wilson's Art of Rhetoric , for ' apt moving of ...
... feeling alone , he finds instead some of the favoured de- vices that were grouped together under the heading of Amplification making the most of one's theme the best means , according to Wilson's Art of Rhetoric , for ' apt moving of ...
Halaman 347
... feelings : the very look of him is given us by Enobarbus - ' Now he'll outstare the lightning ' . Antony , here , is galvanized into feeling ; there is no true access of life and energy . And the significance of this is that we know ...
... feelings : the very look of him is given us by Enobarbus - ' Now he'll outstare the lightning ' . Antony , here , is galvanized into feeling ; there is no true access of life and energy . And the significance of this is that we know ...
Istilah dan frasa umum
action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York