The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 halaman V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
Dari dalam buku
Hasil 1-3 dari 57
Halaman 18
... elements up to the pure intelligence of angels . The whole universe was governed by divine will ; Nature was God's in- strument , the social hierarchy a product of Nature . It followed for Tudor theorists that subordination and unity ...
... elements up to the pure intelligence of angels . The whole universe was governed by divine will ; Nature was God's in- strument , the social hierarchy a product of Nature . It followed for Tudor theorists that subordination and unity ...
Halaman 180
... elements of a music drama were present in the masque , but they remained undeveloped . The reason for this may have been that the court culture in England was more deeply impregnated with popular elements than it was in France or Italy ...
... elements of a music drama were present in the masque , but they remained undeveloped . The reason for this may have been that the court culture in England was more deeply impregnated with popular elements than it was in France or Italy ...
Halaman 197
... elements which , though not in themselves original , are combined in a way that is wholly characteristic of Sidney and his period . The careful elaboration of the plot and much else are modelled on the Aethiopica of Heliodorus , a long ...
... elements which , though not in themselves original , are combined in a way that is wholly characteristic of Sidney and his period . The careful elaboration of the plot and much else are modelled on the Aethiopica of Heliodorus , a long ...
Istilah dan frasa umum
action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York