The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 halaman V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Halaman 245
... action , the performance , and as a result Hamlet's ' acting ' has been a pretence , no more than ' actions that a man might play ' , as he says with prophetic irony in his first scene . To perform , to act or to do are terms which ...
... action , the performance , and as a result Hamlet's ' acting ' has been a pretence , no more than ' actions that a man might play ' , as he says with prophetic irony in his first scene . To perform , to act or to do are terms which ...
Halaman 268
... action is supposed to be completed or at least predetermined by the time the play opens , and , formally , Revenge simply displays to the Ghost of Andrea a of events whose upshot he knows already , and the two are jointly described as a ...
... action is supposed to be completed or at least predetermined by the time the play opens , and , formally , Revenge simply displays to the Ghost of Andrea a of events whose upshot he knows already , and the two are jointly described as a ...
Halaman 304
... action from the world of the subordinate action . There is , rather , a single society , with subtle internal gradations . This makes possible a delicately comic treatment of the love of Orsino and the self - conscious retirement of ...
... action from the world of the subordinate action . There is , rather , a single society , with subtle internal gradations . This makes possible a delicately comic treatment of the love of Orsino and the self - conscious retirement of ...
Istilah dan frasa umum
action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York