The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 halaman V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Halaman 420
... Chapman . The comedies tell us less about Chapman's individual quality than the tragedies , which form a group easily distinguishable from other plays of the time . Chapman considered the translation of Homer to be his greatest work ...
... Chapman . The comedies tell us less about Chapman's individual quality than the tragedies , which form a group easily distinguishable from other plays of the time . Chapman considered the translation of Homer to be his greatest work ...
Halaman 425
Boris Ford. Pope commented dryly that Chapman must have been ' an enthusiast in poetry ' , but for Chapman the term ( which he does not himself use ) would probably have had no colouring of fanatical extrava- gance . The mind of the ...
Boris Ford. Pope commented dryly that Chapman must have been ' an enthusiast in poetry ' , but for Chapman the term ( which he does not himself use ) would probably have had no colouring of fanatical extrava- gance . The mind of the ...
Halaman 434
... Chapman is entitled to be judged in the light of his own poetic theory . In the heart of this lies a moralized conception of how poetry works and what it does . For Chapman , also , le mot juste is , as Professor Bullough has remarked ...
... Chapman is entitled to be judged in the light of his own poetic theory . In the heart of this lies a moralized conception of how poetry works and what it does . For Chapman , also , le mot juste is , as Professor Bullough has remarked ...
Istilah dan frasa umum
action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York