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VI. Women-Desdemona, Virginia, Juliet, Miranda,
Imogen, Cordelia, Ophelia, Volumnia - How
Shakspeare represents love-Why he bases virtue

on instinct or passion

VII. Villains-Iago, Richard III.-How excessive lusts
and the lack of conscience are the natural pro-
vince of the impassioned imagination

VIII. Principal characters-

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The Reformation-Aptitude of the Germanic races,
and suitability of Northern climates - Albert
Durer's bodies and souls-His martyrdoms and
last judgments-Luther-His idea of justice-
Construction of Protestantism-Crisis of the
conscience-Renewal of heart-Suppression of
ceremonies-Transformation of the clergy

III. Reformation in England-Tyranny of the ecclesias-

tical courts-Disorders of the clergy-Irritation

of the people-The interior of a diocese-Perse-

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cutions and convulsions-The translation of the
Bible-How biblical events and Hebraic senti-
ments are in accordance with contemporary
manners and with the English character-The
Prayer Book-Moral and manly feeling of the
prayers and church service-Preaching-Latimer
-His education-Character-Familiar and per-
suasive eloquence-Death-The martyrs under
Mary-England thenceforth Protestant

IV. The Anglicans-Close connection between religion

and society-How the religious sentiment pene-

trates literature-How the sentiment of the

beautiful subsists in religion - Hooker-His

breadth of mind and the fulness of his style-

Hales and Chillingworth-Praise of reason and

tolerance-Jeremy Taylor-His learning, im-

agination, and poetic feeling

The Puritans-Opposition of religion and the world
-Dogmas-Morality-Scruples-Their triumph
and enthusiasm Their work and practical

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VI. Bunyan-His life, spirit, and poetical work-The
Prospect of Protestantism in England

PAGB

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