The Cambridge Introduction to ShakespeareThis lively and innovative introduction to Shakespeare promotes active engagement with the plays, rather than recycling factual information. Covering a range of texts, it is divided into seven subject-based chapters: Character; Performance; Texts; Language; Structure; Sources and History, and it does not assume any prior knowledge. Instead, it develops ways of thinking and provides the reader with resources for independent research through the 'Where next?' sections at the end of each chapter. The book draws on scholarship without being overwhelmed by it, and unlike other introductory guides to Shakespeare it emphasizes that there is space for new and fresh thinking by students and readers, even on the most-studied and familiar plays. |
Apa yang dikatakan orang - Tulis resensi
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LibraryThing Review
Ulasan Pengguna - baswood - LibraryThingThis seems to me to be an introduction for the student approaching a deeper study of Shakespeare but the writing of Emma Smith is so lively and interesting that it could certainly be enjoyed by the ... Baca ulasan lengkap
LibraryThing Review
Ulasan Pengguna - antao - LibraryThingCease to persuade, my loving Proteus! The thing about drama is that everybody has to put effort in to learn their part, then they have to work together to make the play happen. Putting on a successful ... Baca ulasan lengkap
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Bagian 31 | 113 |
Bagian 32 | 116 |
Bagian 33 | 120 |
Bagian 34 | 127 |
Bagian 35 | 134 |
Bagian 36 | 138 |
Bagian 37 | 142 |
Bagian 38 | 144 |
Bagian 39 | 148 |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
actors All’s Antony apparently audience Bullingbrook Cambridge chapter characterisation Claudio Cleopatra comedy comic contemporary context critical daughter death difficult discussed dramatic Duke Duke’s early modern early texts edition editors Elizabethan English example Falstaff father figure film final find first Folio genre give Hamlet Henry Henry’s Hermione history plays husband Iago interpretation Isabella Katherina kill King Lear king’s Lady language Lear’s Leontes linguistic literary look Macbeth marriage meaning Measure for Measure Merchant of Venice Midsummer Night’s Dream narrative North’s ofthe Othello Perdita performance perhaps Petruchio play’s plot political Prince production prose quarto reading recognise Richard Richard II role Romeo and Juliet Royal Shakespeare Company scene seems sexual Shakespeare Shakespeare’s plays Shrew Shylock significant soliloquy specific stage directions structure suggest Tempest theatre There’s thou throne Titus Andronicus tothe tragedy tragic Twelfth Night University Press Verona verse Viola what’s Winter’s Tale witches words
Bagian yang populer
Halaman 87 - Hath not a Jew eyes ? hath not a Jew hands, organs, dimensions, senses, affections, passions ? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is ? If you prick us, do we not bleed ? if you tickle us, do we not laugh ? if you poison us, do we not die ? and if you wrong us, shall we not revenge 1 if we are like you in the rest, we will resemble you in that.
Halaman 33 - Thy husband is thy lord, thy life, thy keeper, Thy head, thy sovereign; one that cares for thee, And for thy maintenance commits his body To painful labour both by sea and land, To watch the night in storms, the day in cold, Whilst thou liest warm at home, secure and safe; And craves no other tribute at thy hands But love, fair looks and true obedience; Too little payment for so great a debt.
Halaman 23 - gainst self-slaughter! O God! O God! How weary, stale, flat, and unprofitable Seem to me all the uses of this world! Fie on't! ah, fie! 'tis an unweeded garden, That grows to seed; things rank and gross in nature, Possess it merely.
Halaman 126 - Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny. Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-cross'd lovers take their life ; Whose misadventured piteous overthrows Do. with their death, bury their parents
Halaman 11 - I have given suck, and know How tender 'tis to love the babe that milks me: I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this.
Halaman 79 - All murder'd: for within the hollow crown That rounds the mortal temples of a king Keeps Death his court, and there the antic sits, Scoffing his state and grinning at his pomp...
Halaman 111 - Tis not the balm, the sceptre and the ball, The sword, the mace, the crown imperial, The intertissued robe of gold and pearl, The farced title running 'fore the king...
Halaman 33 - Such duty as the subject owes the prince Even such a woman oweth to her husband...
Halaman 142 - Like to the senators of the antique Rome, With the plebeians swarming at their heels, — Go forth, and fetch their conquering Caesar in : As, by a lower but by loving likelihood," Were now the general of our gracious empress* (As, in good time, he may,) from Ireland coming, Bringing rebellion broached* on his sword, How many would the peaceful city quit, To welcome him ? much more, and much more cause, Did they this Harry.
Halaman 56 - I'll bear him no more sticks, but follow thee, Thou wondrous man. Trin. A most ridiculous monster, to make a wonder of a poor drunkard ! Cal. I prithee, let me bring thee where crabs grow ; And I with my long nails will dig thee pig-nuts ; Show thee a jay's nest and instruct thee how To snare the nimble marmoset ; I'll bring thee To clustering filberts and sometimes I'll get thee Young scamels from the rock.