A Study of Milton's Paradise LostJ. B. Lippincott & Company, 1878 - 287 halaman |
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Halaman 10
... Accent : accent and quantity ; variations in the position of the accent . The syllables : hendecasyllabic lines ; superabundant syllables ; the tribrach ; elision of one vowel before another ; inharmonious lines . Milton's three rules ...
... Accent : accent and quantity ; variations in the position of the accent . The syllables : hendecasyllabic lines ; superabundant syllables ; the tribrach ; elision of one vowel before another ; inharmonious lines . Milton's three rules ...
Halaman 16
... Accent : accent The and quantity ; variations in the position of the accent . syllables : hendecasyllabic lines ; superabundant syllables ; the tribrach ; elision of one vowel before another ; inharmonious lines . Milton's three rules ...
... Accent : accent The and quantity ; variations in the position of the accent . syllables : hendecasyllabic lines ; superabundant syllables ; the tribrach ; elision of one vowel before another ; inharmonious lines . Milton's three rules ...
Halaman 272
... accents in , for instance , a pentameter line is fixed , and another class that the number is variable . Thomas ... accents in a pentameter verse was variable . " Professor Fowler likewise states with emphasis that it is " more important ...
... accents in , for instance , a pentameter line is fixed , and another class that the number is variable . Thomas ... accents in a pentameter verse was variable . " Professor Fowler likewise states with emphasis that it is " more important ...
Halaman 276
... accent and quantity , or he would not have told his readers that in some of Milton's verses " the accent is equally upon two syllables together and upon both strong - as , Thus at their shady lodge arrived , both stood , Both turned ...
... accent and quantity , or he would not have told his readers that in some of Milton's verses " the accent is equally upon two syllables together and upon both strong - as , Thus at their shady lodge arrived , both stood , Both turned ...
Halaman 276
... accents in , for instance , a pentameter line is fixed , and another class that the number is variable . Thomas ... accents in a pentameter verse was variable . " Professor Fowler likewise states with emphasis that it is " more important ...
... accents in , for instance , a pentameter line is fixed , and another class that the number is variable . Thomas ... accents in a pentameter verse was variable . " Professor Fowler likewise states with emphasis that it is " more important ...
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Istilah dan frasa umum
accent Adam and Eve Adam's Addison admiration Æneid allegorical Almighty angels Apollo appears archangel Azazel battle beauty Beelzebub Belial brought burning lake celestial Chaos creation darkness Death Deity described devils disobedience Divine Earth earthly Empyrean epic epic poetry Eve's evil fall fallen spirits Fiend fierce fire gates glory God's Hades Heaven heavenly heavenly records Hell Hell-gates heroic Hesiod holy Homer host human Iliad imagination important infernal infinite Landor Lethe light likewise man's manifest Masson ment Messiah Michael Milton mind Moloch moral narrative nature night obedience pair Pandemonium Pantheon Paradise Lost Paradise Regained passage passion physical poct poem poet poet's poetic Prometheus punishment Raphael Satan scene Scripture Serpent sight soul speak Starry stars strength sublime syllable Tartarus terrible things thought throne tion transgression trochee Universe Uriel vast verse violence Virgil vision wall whole words
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Halaman 22 - Anon out of the earth a fabric huge Rose like an exhalation, with the sound Of dulcet symphonies and voices sweet— Built like a temple, where pilasters round Were set, and Doric pillars overlaid With golden architrave; nor did there want Cornice or frieze, with bossy sculptures graven: The roof was fretted gold.
Halaman 40 - ... the four and twenty elders fall down before him that sat on the throne, and worship him that liveth for ever and ever, and cast their crowns before the throne, saying, "Thou art worthy, O Lord, to receive glory and honour and power: for thou hast created all things, and for thy pleasure they are and were created.
Halaman 18 - Less than archangel ruined, and the excess Of glory obscured ; as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Halaman 118 - And no advantage gain. What if the sun Be centre to the world, and other stars, By his attractive virtue and their own Incited, dance about him various rounds...
Halaman 88 - And I looked, and, behold, a whirlwind came out of the north, a great cloud, and a fire infolding itself, and a brightness was about it, and out of the midst thereof as the colour of amber, out of the midst of the fire.
Halaman 142 - So saying, her rash hand in evil hour Forth reaching to the fruit, she plucked, she eat: Earth felt the wound, and Nature from her seat •Sighing through all her works gave signs of woe, That all was lost.
Halaman 72 - And there was war in heaven; Michael and his angels fought against the dragon; and the dragon fought, and his angels, and prevailed not; neither was their place found any more in heaven. And the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world; he was cast out into the earth, and his angels were cast out with him.
Halaman 32 - Shall breathe her balm. But first whom shall we send In search of this new world, whom shall we find Sufficient? who shall tempt with wandering feet The dark unbottomed infinite abyss, And through the palpable obscure find out His uncouth way, or spread his aery flight Upborne with indefatigable wings Over the vast abrupt...
Halaman 32 - Their song was partial ; but the harmony (What could it less when spirits immortal sing ?) Suspended hell, and took with ravishment The thronging audience.
Halaman 34 - The grandest efforts of poetry are where the imagination is called forth, not to produce a distinct form, but a strong working of the mind, still offering what is still repelled, and again creating what is again rejected; the result being what the poet wishes to impress, namely, the substitution of a sublime feeling of the unimaginable for a mere image.