"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 halaman |
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... lines offer the ultimate proof of the fact that Lingua is not condemned for being a witch but for being a woman . Her major functions consist in emphasizing the negative effects of female desires and confirming the status quo of gender ...
... lines offer the ultimate proof of the fact that Lingua is not condemned for being a witch but for being a woman . Her major functions consist in emphasizing the negative effects of female desires and confirming the status quo of gender ...
Halaman 364
... lines on Ariel's confinement . 317 Tellus refers to her as " Wicked Dipsas ” ( Endymion 4.1.18 ) , Epiton , Sir ... line numbering ) , 98-119 . 319 Tellus herself mentions this resemblance : " Wicked Dipsas , and most devilish Tel- lus ...
... lines on Ariel's confinement . 317 Tellus refers to her as " Wicked Dipsas ” ( Endymion 4.1.18 ) , Epiton , Sir ... line numbering ) , 98-119 . 319 Tellus herself mentions this resemblance : " Wicked Dipsas , and most devilish Tel- lus ...
Halaman 376
... lines Middleton worked from either Philoponum's Latin translation of Bodin's De la démonomanie des sorciers ( as already Alexander Dyce proposed ) , or the French original , since both texts omit the same line as Middleton does but ...
... lines Middleton worked from either Philoponum's Latin translation of Bodin's De la démonomanie des sorciers ( as already Alexander Dyce proposed ) , or the French original , since both texts omit the same line as Middleton does but ...
Isi
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Hak Cipta | |
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Istilah dan frasa umum
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