The Anthropology of MusicNorthwestern University Press, 1 Des 1964 - 376 halaman In this highly praised and seminal work, Alan Merriam demonstrates that music is a social behavior—one worthy and available to study through the methods of anthropology. In it, he convincingly argues that ethnomusicology, by definition, cannot separate the sound-analysis of music from its cultural context of people thinking, acting, and creating. The study begins with a review of the various approaches in ethnomusicology. He then suggests a useful and simple research model: ideas about music lead to behavior related to music and this behavior results in musical sound. He explains many aspects and outcomes of this model, and the methods and techniques he suggests are useful to anyone doing field work. Further chapters provide a cross-cultural round-up of concepts about music, physical and verbal behavior related to music, the role of the musician, and the learning and composing of music. The Anthropology of Music illuminates much of interest to musicologists but to social scientists in general as well. |
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Halaman 58
... melograph which gives the most detailed graphic analysis yet possible of a single-line melody (1951: 1957: 1958). It is Seeger's contention that the conventional symbolic-linear music-writing used in Western notation, and by ...
... melograph which gives the most detailed graphic analysis yet possible of a single-line melody (1951: 1957: 1958). It is Seeger's contention that the conventional symbolic-linear music-writing used in Western notation, and by ...
Halaman 59
... melograph, used in conjuntion with conventional notation, gives us a better understanding of those aspects of music which are not necessarily perceived by the ear, that is, elements of music which may characterize a style but which ...
... melograph, used in conjuntion with conventional notation, gives us a better understanding of those aspects of music which are not necessarily perceived by the ear, that is, elements of music which may characterize a style but which ...
Halaman 60
Alan P. Merriam, Valerie Merriam. while the melograph gives us another, and that each of these is equally important. If we accept this view, it still remains important to know how accurate conventional notation must be. Bartok and Lord ...
Alan P. Merriam, Valerie Merriam. while the melograph gives us another, and that each of these is equally important. If we accept this view, it still remains important to know how accurate conventional notation must be. Bartok and Lord ...
Halaman 352
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activity American Indians analysis anthropology appears applied approach artist aspects of culture Basongye ceremonial composer composition concept concerning Congo considered context dance discussion distinction drum drummers emotion emphasized ethnomusicology example exist expression fact factors field Flathead Flathead Indians folk music functions of music further given gongs griots Herskovits human behavior important indicate individual internal intersense modalities involved jazz kinds language learning literature major means melody melograph Merriam method Mukulu music instruments music sound music structure music style music system musical bow musician musicology Nketia nonliterate societies Northern Rhodesia notes organization particular patterns performance pitch play possible problem produce question reference rhythm rock gongs role seems sense similar singer singing situation slit drum song texts speaking specific sung symbolic synesthesia techniques tend theory tion tone understanding Venda verbal village vision quest Wagawaga Wintu words xylophone