The Anthropology of MusicNorthwestern University Press, 1 Des 1964 - 376 halaman In this highly praised and seminal work, Alan Merriam demonstrates that music is a social behavior—one worthy and available to study through the methods of anthropology. In it, he convincingly argues that ethnomusicology, by definition, cannot separate the sound-analysis of music from its cultural context of people thinking, acting, and creating. The study begins with a review of the various approaches in ethnomusicology. He then suggests a useful and simple research model: ideas about music lead to behavior related to music and this behavior results in musical sound. He explains many aspects and outcomes of this model, and the methods and techniques he suggests are useful to anyone doing field work. Further chapters provide a cross-cultural round-up of concepts about music, physical and verbal behavior related to music, the role of the musician, and the learning and composing of music. The Anthropology of Music illuminates much of interest to musicologists but to social scientists in general as well. |
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Halaman 65
... A random tap on the xylophone or the drum, for example, is not considered to be music. But organization alone is not enough to fulfill the criteria, for if three drummers make a single tap together on their drums, it 65 Concepts.
... A random tap on the xylophone or the drum, for example, is not considered to be music. But organization alone is not enough to fulfill the criteria, for if three drummers make a single tap together on their drums, it 65 Concepts.
Halaman 66
Alan P. Merriam, Valerie Merriam. drummers make a single tap together on their drums, it is still not music even though it is organized. The third criterion, then, is that to be music the sounds must have a minimal continuity in time. By ...
Alan P. Merriam, Valerie Merriam. drummers make a single tap together on their drums, it is still not music even though it is organized. The third criterion, then, is that to be music the sounds must have a minimal continuity in time. By ...
Halaman 68
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Halaman 69
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Halaman 73
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Istilah dan frasa umum
activity American Indians analysis anthropology appears applied approach artist aspects of culture Basongye ceremonial composer composition concept concerning Congo considered context dance discussion distinction drum drummers emotion emphasized ethnomusicology example exist expression fact factors field Flathead Flathead Indians folk music functions of music further given gongs griots Herskovits human behavior important indicate individual internal intersense modalities involved jazz kinds language learning literature major means melody melograph Merriam method Mukulu music instruments music sound music structure music style music system musical bow musician musicology Nketia nonliterate societies Northern Rhodesia notes organization particular patterns performance pitch play possible problem produce question reference rhythm rock gongs role seems sense similar singer singing situation slit drum song texts speaking specific sung symbolic synesthesia techniques tend theory tion tone understanding Venda verbal village vision quest Wagawaga Wintu words xylophone