The Rose of Sharon: A Religious SouvenirA. Tompkins and B. B. Mussey, 1847 |
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A. H. DODD Aimèe ancient beauty Ben-hadad Bessie birds black crypt blessed bosom breath bright brow charm cheek child Christian dear deep delight Ding-a-dong dream duties earth eloquence empty cradle exis eyes face fair brow faith feeling felt flowers gentle glance hand happy Harry hear heart Heaven holy hope hour human inspiration Isabelle Israel Kingsley laws leprosy light lived Lizzy lonely look Lord Lydia lyre Maid Markley marriage Maystick ment mind modern moral mother mystery nature ness never noble o'er object pain pale passed PERCY BYSSHE SHELLEY playmate poet poetry poor prophet red mill religion religious revealed Richard rotten boroughs Samaria shadow Shelley silent smile soft soft eyes sorrow soul spirit stars sweet taste tears tence tender thee things thou thought tion tones true truth Udollo's utterance vision voice weary wife Wordsworth young
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Halaman 72 - Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world Is lightened: — that serene and blessed mood, In which the affections gently lead us on,— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul: 319 While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the...
Halaman 70 - I ask not for the great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy; I embrace the common, I explore and sit at the feet of the familiar, the low.
Halaman 175 - Dear is that shed to which his soul conforms, And dear that hill which lifts him to the storms ; And as a child, when scaring sounds molest, Clings close and closer to the mother's breast, So the loud torrent and the whirlwind's roar But bind him to his native mountains more.
Halaman 20 - The world is emblematic. Parts of speech are metaphors, because the whole of nature is a metaphor of the human mind. The laws of moral nature answer to those of matter as face to face in a glass. "The visible world and the relation of its parts is the dial plate of the invisible.
Halaman 175 - Nor fame, nor power, nor love, nor leisure. Others I see whom these surround ; Smiling they live, and call life pleasure ; To me that cup has been dealt in another measure.
Halaman 71 - Give me insight into to-day, and you may have the antique and future worlds. What would we really know the meaning of? The meal in the firkin; the milk in the pan ; the ballad in the street; the news of the boat...
Halaman 17 - Objects are but th' occasion ; ours th' exploit ; Ours is the cloth, the pencil, and the paint, Which nature's admirable picture draws ; And beautifies creation's ample dome. Like Milton's Eve, when gazing on the lake, Man makes the matchless image, man admires...
Halaman 17 - For Fancy is the power That first unsensualizes the dark mind, Giving it new delights ; and bids it swell With wild activity ; and peopling air, By obscure fears of beings invisible, Emancipates it from the grosser thrall Of the present impulse, teaching self-control, Till Superstition with unconscious hand Seat Reason on her throne.
Halaman 68 - Nature never wears a mean appearance. Neither does the wisest man extort her secret, and lose his curiosity by finding out all her perfection. Nature never became a toy to a wise spirit. The flowers, the animals, the mountains, reflected the wisdom of his best hour, as much as they had delighted the simplicity of his childhood.
Halaman 31 - How strangely fair Yon round still star, which looks half suffering from, And half rejoicing in its own strong fire ; Making itself a lonelihood of light, Like Deity, where'er in Heaven it dwells. How can the beauty of material things So win the heart and work upon the mind, Unless like-natured with them ? Are great things And thoughts of the same blood ? They have like effect.