Legacy, Volume 12Department of English, University of Massachusetts, 1995 |
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Halaman 107
... gaze ; the next is to begin to reformulate that construction , which might lead to imag- ining a new kind of intersubjective gazing that eludes the dynamics of mastery and submission . Where does The World's Own fit in the terms Kaplan ...
... gaze ; the next is to begin to reformulate that construction , which might lead to imag- ining a new kind of intersubjective gazing that eludes the dynamics of mastery and submission . Where does The World's Own fit in the terms Kaplan ...
Halaman 108
... gaze . The representation of Leonora as a tragic heroine involves the unmasking and appropriation of cultural construc- tions of woman as angelic , as well as of " the gaze " that helps to produce such constructions . In a final bid for ...
... gaze . The representation of Leonora as a tragic heroine involves the unmasking and appropriation of cultural construc- tions of woman as angelic , as well as of " the gaze " that helps to produce such constructions . In a final bid for ...
Halaman 109
... gaze is no longer image of her mysterious power but functions to in- scribe agency in Lothario and remove it from her own character . In Leonora's speech above , it is Lothario's gaze , his " haughty eyes , " that are emblematic of his ...
... gaze is no longer image of her mysterious power but functions to in- scribe agency in Lothario and remove it from her own character . In Leonora's speech above , it is Lothario's gaze , his " haughty eyes , " that are emblematic of his ...
Isi
Gender and Racial Identity | 17 |
Groves Maria Gowen Brooks c 17951845 | 47 |
Veronica Stewart New Poems of Emily Dickinson edited by William | 56 |
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