visits it, the all-absorbing topic with fashionable society. For four successive winters Madame Montford has honored the elite of Charleston with her presence. The advent of her coming, too, has been duly heralded in the morning papers to the infinite delight of the St. Cecilia Society, which never fails to distinguish her arrival with a ball. And this ball is sure to be preceded with no end of delicately-perfumed cards, and other missives, as full of compliments as it is capable of cramming them. There is, notwithstanding all these ovations in honor of her coming, a mystery hanging over her periodical visits, for the sharpeyed persist that they have seen her disguised, and in suspicious places, making singular inquiries about a woman of the name of Mag Munday. And these suspicions have given rise to whisperings, and these whisperings have crept into the ears of several very old and highly-respectable "first families," which said families have suddenly dropped her acquaintance. But what is more noticeable in the features of Madame Montford, is the striking similarity between them and Anna Bonard's. Her most fervent admirers have noticed it; while strangers have not failed to discover it, and to comment upon it. And the girl who sits in the box with Mr. Snivel, so cautiously fortifying herself with the curtain, is none other than Anna. Mr. Snivel has brought her here as an atonement for past injuries.

Just as the curtain is about to rise, Mr. McArthur, true to his word, may be seen toddling to the stage door, his treasure carefully tied up in a handkerchief. He will deliver it to no one but the manager, and in spite of his other duties that functionary is compelled to receive it in person. This done, the old man, to the merriment of certain wags

who delight to speculate on his childlike credulity, takes a seat in the parquette, wipes clean his venerable spectacles, and placing them methodically over his eyes, forms, a unique picture in the foreground of the audience. McArthur, with the aid of his glasses, can recognize objects at a distance; and as the Hamlet of the night is decidedly Teutonic in his appearance and pronunciation, he has no great relish for the Star, nor a hand of applause to bestow on his genius. Hamlet, he is sure, never articulated with a coarse brogue. So turning from the stage, he amuses himself with minutely scanning the faces of the audience, and resolving in his mind that something will turn up in the grave-digger's scene, of which he is an enthusiastic admirer. It is, indeed, he thinks to himself, very doubtful, whether in this wide world the much-abused William Shakspeare hath a more ardent admirer of this curious but faithful illustration of his genius. Suddenly his attention seems riveted on the private box, in which sits the stately figure of Madame Montford, flanked in a half-circle by her perfumed and white-gloved admirers. "What!" exclaims the old man, in surprise, rubbing and replacing his glasses, "if I'm not deceived! WellI can't be. If there isn't the very woman, a little altered, who has several times looked into my little place of an evening. Her questions were so curious that I couldn't make out what she really wanted (she never bought anything); but she always ended with inquiring about poor Mag Munday. People think because I have all sorts of things, that I must know about all sorts of things. I never could tell her much that satisfied her, for Mag, report had it, was carried off by the yellow fever, and nobody ever thought of her afterwards. And because I couldn't tell this woman any

more, she would go away with tears in her eyes." Mr. McArthur whispers to a friend on his right, and touches him on the arm, "Pooh! pooh!" returns the man, with measured indifference, "that's the reigning belle of the season-Madame Montford, the buxom widow, who has been just turned forty for some years."

The play proceeds, and soon the old man's attention is drawn from the Widow Montford by the near approach to the scene of the grave-digger. And as that delineator enters the grave, and commences his tune, the old man's anxiety increases.

A twitching and shrugging of the shoulders, discovers Mr. McArthur's feelings. The grave-digger, to the great delight of the Star, bespreads the stage with a multipli. city of bones. Then he follows them with a skull, the appearance of which causes Mr. McArthur to exclaim, "Ah! that's my poor Yorick." He rises from his seat, and abstractedly stares at the Star, then at the audience. The audience gives out a spontaneous burst of applause, which the Teutonic Hamlet is inclined to regard as an indignity offered to superior talent. A short pause and his face brightens with a smile, the grave-digger shoulders his pick, and with the thumb of his right hand to his nasal organ, throws himself into a comical attitude. The audience roar with delight; the Star, ignorant of the cause of what he esteems a continued insult, waves his plumes to the audience, and with an air of contempt walks off the stage.

CHAPTER XIII.

MRS. SWIGGS COMES TO THE RESCUE OF THE HOUSE OF THE FOREIGN MISSIONS.

"AN excellent society-excellent, I assure you, Mad

ame

"Truly, Mr. Hadger," interrupted Mrs. Swiggs, "your labors on behalf of this Tract Society will be rewarded in heaven-"

"Dear-a-me," Mr. Hadger returns, ere Mrs. Swiggs can finish her sentence," don't mention such a thing. I assure you it is a labor of love."

"Their tracts are so carefully got up. If my poor old negro property could only read (Mrs. Swiggs pauses.) I was going to say-if it wasn't for the law. (again she pauses), we couldn't prejudice our cause by letting our negroes read them—”

"Excuse the interruption," Mr. Hadger says, "but it wouldn't do, notwithstanding (no one can be more liberal than myself on the subject of enlightening our negro property!) the Tract Society exhibits such an unexceptionable regard to the requirements of our cherished institution.

This conversation passes between Mrs. Swiggs and Mr. Hadger, who, as he says with great urbanity of manner, just dropped in to announce joyous tidings. He has a letter from Sister Abijah Slocum, which came to hand this morning, enclosing one delicately enveloped for Sister

Swiggs. "The Lord is our guide," says Mrs. Swiggs, hastily reaching out her hand and receiving the letter. "Heaven will reward her for the interest she takes in the heathen world."

66

Truly, if she hath not now, she will have there a monument of gold," Mr. Hadger piously pursues, adding a sigh.

"There! there!-my neuralgy; it's all down my left side. I'm not long for this world, you see!" Mrs. Swiggs breaks out suddenly, then twitches her head and oscillates her chin. And as if some electric current had changed the train of her thoughts, she testily seizes hold of her Milton, and says: "I have got my Tom up again-yes I have, Mr. Hadger."

Mr. Hadger discovers the sudden flight her thoughts have taken: "I am sure," he interposes," that so long as Sister Slocum remains a member of the Tract Society we may continue our patronage."

Mrs. Swiggs is pleased to remind Mr. Hadger, that although her means have been exceedingly narrowed down, she has not, for the last ten years, failed to give her mite, which she divides between the house of the " Foreign Missions," and the "Tract Society."

A nice, smooth-faced man, somewhat clerically dressed, straight and portly of person, and most unexceptionable in his morals, is Mr. Hadger. A smile of Christian resignation and brotherly love happily ornaments his countenance; and then, there is something venerable about his nicely-combed gray whiskers, his white cravat, his snowy hair, his mild brown eyes, and his pleasing voice. One is almost constrained to receive him as the ideal of virtue absolved in sackcloth and ashes. As an evidence of our