The Art of Elocution: From the Simple Articulation of the Elemental Sounds of Language, Up to the Highest Tone of Expression in Speech, Attainable by the Human VoiceSampson, Low, 1846 - 383 halaman |
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Halaman 50
... middle , or terminating syllables . In reading the tables , be particular first to get the correct tonic sound of the vowel , as given in the key- word , and bear in mind that articulation of a sound does not imply accentuation of the ...
... middle , or terminating syllables . In reading the tables , be particular first to get the correct tonic sound of the vowel , as given in the key- word , and bear in mind that articulation of a sound does not imply accentuation of the ...
Halaman 52
... MIDDLE OR DOUBLE SUB - TONIC . m in mm , as imaculate for im - maculate , & c . n in nen , as proness , for prone - ness , & c . FALSE ACCENTUATION . ar ' - o - ma for a - ro ' - ma in ' - vite . • for in - vite ' en ' - quiry for in ...
... MIDDLE OR DOUBLE SUB - TONIC . m in mm , as imaculate for im - maculate , & c . n in nen , as proness , for prone - ness , & c . FALSE ACCENTUATION . ar ' - o - ma for a - ro ' - ma in ' - vite . • for in - vite ' en ' - quiry for in ...
Halaman 64
... middle Pause , - , double the time of the short pause . 3. The Rest , - , or full pause , double the middle pause , and equal to the Minim Rest in music . 4. The long Pause , I , double that of the rest , and equal to the Bar Rest in ...
... middle Pause , - , double the time of the short pause . 3. The Rest , - , or full pause , double the middle pause , and equal to the Minim Rest in music . 4. The long Pause , I , double that of the rest , and equal to the Bar Rest in ...
Halaman 66
... MIDDLE PAUSE , - ( crotchet - rest . ) Frequently occurs in the middle of the sentence , - which it serves to divide , by separating the opening , or what may be called the incomplete or hypothetical part , from the closing or winding ...
... MIDDLE PAUSE , - ( crotchet - rest . ) Frequently occurs in the middle of the sentence , - which it serves to divide , by separating the opening , or what may be called the incomplete or hypothetical part , from the closing or winding ...
Halaman 67
... middle pause is also used to mark a parenthesis , or any parenthetical interruption of the sense ; unless it be very slight ; in which latter case the short pause is sufficient . EXAMPLES . 1. Men of superior genius– while they see the ...
... middle pause is also used to mark a parenthesis , or any parenthetical interruption of the sense ; unless it be very slight ; in which latter case the short pause is sufficient . EXAMPLES . 1. Men of superior genius– while they see the ...
Edisi yang lain - Lihat semua
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vanderhoff Pratinjau tidak tersedia - 2015 |
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vanderhoff Pratinjau tidak tersedia - 2022 |
Istilah dan frasa umum
accelerando accented ADRASTUS antithesis arms articulation beauty blood breath Brutus Cæsar Cassius character Christian close common compound inflections dark death delivery diphthongal distinct doth ducats earth elementary sounds emphasis of force emphasis of sense EXAMPLES exercise expression falling inflection feeling gesture give Godfrey of Bouillon grace hand Harfleur hath heard heart heaven Helon high pitch honor hope human voice Intonation king language legato light live Lochinvar Lord marked MEDON melody ment mercy middle pause middle pitch mind nature Netherby never noble o'er orator passage passion perfect practice presto pronominal phrase prose prosodial reading rhythm rising inflection Roche Rome rules sentence Shylock simple solemn soul speak speaker speech spirit style swelling syllables system of Elocution thee thought tion tone tonic sound utterance Vandenhoff's Venice verse voice vowel weep word
Bagian yang populer
Halaman 324 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
Halaman 300 - He who hath bent him o'er the dead Ere the first day of death is fled, The first dark day of nothingness, The last of danger and distress...
Halaman 325 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name; Sound them, it doth become the mouth as well; Weigh them, it is as heavy; conjure with 'em, "Brutus" will start a spirit as soon as "Caesar.
Halaman 291 - mong Graemes of the Netherby clan ; Forsters, Fenwicks, and Musgraves, they rode and they ran : There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
Halaman 339 - O, now you weep ; and, I perceive, you feel The dint of pity : these are gracious drops ; Kind souls ! What, weep you, when you but behold Our Caesar's vesture wounded ? Look you here. Here is himself, marr'd, as you see.
Halaman 326 - Signior Antonio, many a time and oft In the Rialto you have rated me About my monies, and my usances : Still have I borne it with a patient shrug ; For sufferance is the badge of all our tribe...
Halaman 175 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct, As water is in water.
Halaman 335 - O Cassius, you are yoked with a lamb That carries anger, as the flint bears fire; Who, much enforced, shows a hasty spark, And straight is cold again.
Halaman 353 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
Halaman 352 - tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them ? To die : to sleep ; No more; and by a sleep to say we end The heart-ache, and the thousand natural shocks That flesh is heir to ?—'tis a consummation Devoutly to be wish'd. To die, to sleep...