The Biography and Bibliography of ShakespearePriv. print., 1863 - 366 halaman |
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Halaman xvii
... folio ) . 2. Room in which Shakespeare was born . • 3. Shakespeare's Birthplace as in 1760 4. Portrait of Shakespeare , byCornelius 2 Janffen ( defcribed at page 289 ) . 33 5. Exterior of the Grammar School . 6. Court - yard of the ...
... folio ) . 2. Room in which Shakespeare was born . • 3. Shakespeare's Birthplace as in 1760 4. Portrait of Shakespeare , byCornelius 2 Janffen ( defcribed at page 289 ) . 33 5. Exterior of the Grammar School . 6. Court - yard of the ...
Halaman 2
... first edi- tion of The Taming of a Shrew , ' published in 1594 , where they are represented as being " fhewn into the Buttery , " and two of them . intereft existed in dramatic biogra- phy when the first folio 2 The Biography.
... first edi- tion of The Taming of a Shrew , ' published in 1594 , where they are represented as being " fhewn into the Buttery , " and two of them . intereft existed in dramatic biogra- phy when the first folio 2 The Biography.
Halaman 7
... folio edited by his dramatic friends and companions ; and in most of the quarto plays published during his life - time . Ben Jonfon fo fpells the name in his ' Com- mendatory Verfes , ' as well as in his ' Timber or Discoveries ; ' and ...
... folio edited by his dramatic friends and companions ; and in most of the quarto plays published during his life - time . Ben Jonfon fo fpells the name in his ' Com- mendatory Verfes , ' as well as in his ' Timber or Discoveries ; ' and ...
Halaman 15
... The will of John Arden , dated in 1526 , implies that the King had honoured him with vifits . Halliwell's Life of Shakespeare , folio ed . p . 17 . who had married a daughter of Sir R. Throgmorton , of Shakespeare . 15.
... The will of John Arden , dated in 1526 , implies that the King had honoured him with vifits . Halliwell's Life of Shakespeare , folio ed . p . 17 . who had married a daughter of Sir R. Throgmorton , of Shakespeare . 15.
Halaman 46
... folio ; the early tranflations of Ovid , Homer , Virgil , Plautus , Terence , and Ariofto ; ' alfo Painter's Palace of Pleasure , 1566-7 ' ( which contains tranflations from the French and Italian Novelifts ) ; Pierce Plowman's Vifion ...
... folio ; the early tranflations of Ovid , Homer , Virgil , Plautus , Terence , and Ariofto ; ' alfo Painter's Palace of Pleasure , 1566-7 ' ( which contains tranflations from the French and Italian Novelifts ) ; Pierce Plowman's Vifion ...
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The Biography and Bibliography of Shakespeare Henry George Bohn,Philobiblon Society (Great Britain) Pratinjau tidak tersedia - 1863 |
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12 vols 9 vols acted Athenęum Berlin Bindley Bodleian Library British Museum Capell's Collection Comedy containing copy Covent Garden Cymbeline Dramatic Drury Lane Duke Earl English engravings facsimile faid fame fays firſt folio fome fuch Garrick German Glossary Gotha Hall Hamlet hath Heber himſelf houſe Illustrations Iohn J. O. HALLIWELL J. P. Collier Jonfon Julius Cęsar King Lear Knight leaf leaves Leip Leipzig Lond London Lord Macbeth Malone Merchant of Venice Merry Wives Midsummer Night's Dream misprinted morocco moſt muſt Notes Othello PAPER Paris performed plates players Poems Poet portrait post 8vo Prince privately printed published Puttick's Reed Remarks Reprinted Rhodes Richard the Third Romeo and Juliet Roxburghe royal 8vo Sabine Second edition Separate Plays-continued Seruants Shak Shake Shakespeare's Plays Shakespeariana-continued sold Sotheby Sotheby's speare speare's Steevens Stratford Stratford-upon-Avon Tempest Theatre Royal theſe Thomas tion Tonson Tragedy übersetzt von H William Shakespeare woodcuts written
Bagian yang populer
Halaman 326 - The warrant I have of your honourable disposition, not the worth of my untutored lines, makes it assured of acceptance. What I have done is yours; what I have to do is yours; being part in all I have, devoted yours.
Halaman 156 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.
Halaman 305 - ... who, as he was a happie imitator of Nature, was a most gentle expresser of it. His mind and hand went together; and what he thought, he uttered with that easinesse that wee have scarse received from him a blot in his papers.
Halaman 310 - Triumph, my Britain, thou hast one to show To whom all scenes of Europe homage owe. He was not of an age, but for all time!
Halaman 78 - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath, That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
Halaman 301 - We have but collected them, and done an office to the dead to procure his orphanes guardians; without ambition either of selfe-profit or fame, onely to keepe the memory of so worthy a friend and fellow alive, as was our Shakespeare, by humble offer of his playes to your most noble patronage.
Halaman 79 - That very time I saw (but thou could'st not), Flying between the cold moon and the earth, Cupid all arm'd...
Halaman 114 - Which they thought a malevolent speech. I had not told posterity this, but for their ignorance, who chose that circumstance to commend their friend by, wherein he most faulted; and to justify mine own candour; for I loved the man, and do honour his memory, on this side idolatry, as much as any.
Halaman 108 - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Halaman 308 - To draw no envy (Shakespeare) on thy name, Am I thus ample to thy booke and fame; While I confesse thy writings to be such, As neither man nor muse can praise too much, 'Tis true, and all mens suffrage.