Theory as Practice: A Critical Anthology of Early German Romantic Writings

Sampul Depan
Jochen Schulte-Sasse, Haynes Horne
U of Minnesota Press, 1997 - 479 halaman
In light of recent, dramatic revisions in criticism of European particularly German Romanticism, this anthology brings together key texts of the movement, especially those written in the last quarter of the eighteenth century by Fichte, Schelling, Novalis, August Wilhelm Schlegel, and Friedrich Schlegel, among others.
 

Isi

Representing Self and Other in Early German Romanticism
45
Notes to Introductory Essay
66
Texts
70
2 Selections from FichteSchelling Correspondence 18001801
71
Fichte Studies 179596
88
Fichtes Basic Characteristics of the Present Age 1808
110
On Incomprehensibility 1800
116
Faith and Love and Political Aphorisms 1798
120
Athenāum Fragments 1798
301
Ideas 1800
308
Fragments on Literature and Poesy 1797
311
Philosophical Fragments 1796
317
Philological Fragments
326
Notes
336
Toward a Theory of the Feminine
341
Feminizing Philosophy
343

Soliloquy 1798
127
Notes
128
Theory of Aesthetics
137
Romantic Crossovers Philosophy as Art and Art as Philosophy
139
Notes to Introductory Essay
160
Texts
162
Theory of Art Selection 17981803
176
The Universal Brouillon 179899
208
Introduction to the Transcendental Philosophy 1800
222
Concerning the Essence of Critique 1804
250
Notes
259
The Fragmentary Imperative
269
The Early Romantic Fragment and Incompleteness
271
Notes to Introductory Essay
293
Texts
296
Notes to Introductory Essay
362
Texts
364
Natural Philosophy of Femininity
372
Theory of Femininity
379
On Diotima 1795
382
On Philosophy To Dorothea
401
Selected Diaries and Letters
422
Selected LettersReviewsParody
425
Notes
437
Bibliography
445
German Romanticism in English Translation
449
Sources for Translations
451
Index
453
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Halaman 3 - The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity that blends, and (as it were) fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination.
Halaman 5 - Whereas the symbol postulates the possibility of an identity or identification, allegory designates primarily a distance in relation to its own origin, and, renouncing the nostalgia and the desire to coincide, it establishes its language in the void of this temporal difference.
Halaman 8 - In other words, it is a subject which becomes a subject by the act of constructing itself objectively to itself; but which never is an object except for itself, and only so far as by the very same act it becomes a subject.
Halaman 3 - ... the SUM or I AM ; which I shall hereafter indiscriminately express by the words spirit, self, and self-consciousness. In this, and in this alone, object and subject, being and knowing, are identical, each involving and supposing the other.* In other words, it is a subject which becomes a subject by the act of constructing itself objectively to itself...
Halaman 14 - I" in this proposition is an empirical representation. On the contrary, it is purely intellectual, because belonging to thought in general. Without some empirical representation to supply the material for thought, the ACTUS, "I think...
Halaman 10 - Through this I or he or it (the thing) which thinks, nothing further is represented than a transcendental subject of the thoughts = X.
Halaman 9 - I am able to connect the manifold of given representations in one consciousness, is it possible for me to represent to myself the identity of the consciousness in these representations...

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