ކ Cavalier Poets. Schelling's Seventeenth Century Lyrics, in Athenæum Press Series; Cavalier and Courtier Lyrists, in Canterbury Poets Series; Gosse's Jacobean Poets; Lovelace, etc., in Library of Old Authors. Donne. Poems, in Muses' Library; Life, in Walton's Lives, in Temple Classics, and in Morley's Universal Library; Life, by Gosse; Jessup's John Donne ; Dowden's Essay, in New Studies; Stephen's Studies of a Biographer, vol. 3. Herbert. Palmer's George Herbert; Poems and Prose Selections, edited by Rhys, in Canterbury Poets; Dowden's Essay, in Puritan and Anglican. Bunyan. Brown's John Bunyan, His Life, Times, and Works; Life, by Venables, and by Froude (English Men of Letters); Essays by Macaulay, by Dowden, supra, and by Woodberry, in Makers of Literature. Jeremy Taylor. Holy Living, Holy Dying, in Temple Classics, and in Bohn's Standard Library; Selections, edited by Wentworth; Life, by Heber, and by Gosse (English Men of Letters); Dowden's Essay, supra. Thomas Browne. Works, edited by Wilkin; the same, in Temple Classics, and in Bohn's Library; Religio Medici, in Everyman's Library; essay by Pater, in Appreciations; by Dowden, supra; and by L. Stephen, in Hours in a Library; Life, by Gosse (English Men of Letters). Izaak Walton. Works, in Temple Classics, Cassell's Library, and Morley's Library; Introduction, in A. Lang's Walton's Complete Angler; Lowell's Essay, in Latest Literary Essays. Suggestive Questions. 1. What is meant by the Puritan period? What were the objects and the results of the Puritan movement in English history? 2. What are the main characteristics of the literature of this period? Compare it with Elizabethan literature. How did religion and politics affect Puritan literature? Can you quote any passages or name any works which justify your opinion? 3. What is meant by the terms Cavalier poets, Spenserian poets, Metaphysical poets? Name the chief writers of each group. To whom are we indebted for our first English hymn book? Would you call this a work of literature? Why? 4. What are the qualities of Herrick's poetry? What marked contrasts are found in Herrick and in nearly all the poets of this period? 5. Who was George Herbert? For what purpose did he write? What qualities are found in his poetry? 6. Tell briefly the story of Milton's life. What are the three periods of his literary work? What is meant by the Horton poems? Compare" L'Allegro ' and "Il Penseroso." Are there any Puritan ideals in "Comus"? Why is "Lycidas" often put at the summit of English lyrical poetry? Give the main idea or argument of Paradise Lost. What are the chief qualities of the poem ? Describe in outline Paradise Regained and Samson Agonistes. What personal element entered into the latter? What quality strikes you most forcibly in Milton's poetry? What occasioned Milton's prose works? Do they properly belong to literature? Why? Compare Milton and Shakespeare with regard to (1) knowledge of men, (2) ideals of life, (3) purpose in writing. 7. Tell the story of Bunyan's life. What unusual elements are found in his life and writings? Give the main argument of The Pilgrim's Progress. If you read the story before studying literature, tell why you liked or disliked it. Why is it a work for all ages and for all races? What are the chief qualities of Bunyan's style? 8. Who are the minor prose writers of this age? Name the chief works of Jeremy Taylor, Thomas Browne, and Izaak Walton. Can you describe from your own reading any of these works? How does the prose of this age compare in interest with the poetry? (Milton is, of course, excepted in this comparison.) CHAPTER VIII PERIOD OF THE RESTORATION (1660-1700) THE AGE OF FRENCH INFLUENCE History of the Period. It seems a curious contradiction, at first glance, to place the return of Charles II at the beginning of modern England, as our historians are wont to do; for there was never a time when the progress of liberty, which history records, was more plainly turned backwards. The Puritan régime had been too severe ; it had repressed too many natural pleasures. Now, released from restraint, society abandoned the decencies of life and the reverence for law itself, and plunged into excesses more unnatural than had been the restraints of Puritanism. The inevitable effect of excess is disease, and for almost an entire generation following the Restoration, in 1660, England lay sick of a fever. Socially, politically, morally, London suggests an Italian city in the days of the Medici; and its literature, especially its drama, often seems more like the delirium of illness than the expression of a healthy mind. But even a fever has its advantages. Whatever impurity is in the blood "is burnt and purged away," and a man rises from fever with a new strength and a new idea of the value of life, like King Hezekiah, who after his sickness and fear of death resolved to "go softly" all his days. The Restoration was the great crisis in English history; and that England lived through it was due solely to the strength and excellence of that Puritanism which she thought she had flung to the winds when she welcomed back a vicious monarch at Dover. The chief lesson of the Restoration was this, that it showed by awful contrast the necessity of truth and honesty, and of a strong government of free men, for which the Puritan had stood like a rock in every hour of his rugged history. Through fever, England came slowly back to health; through gross corruption in society and in the state England learned that her people were at heart sober, sincere, religious folk, and that their character was naturally too strong to follow after pleasure and be satisfied. So Puritanism suddenly gained all that it had struggled for, and gained it even in the hour when all seemed lost, when Milton in his sorrow unconsciously portrayed the government of Charles and his Cabal in that tremendous scene of the council of the infernal peers in Pandemonium, plotting the ruin of the world. The King and his Followers Of the king and his followers it is difficult to write temperately. Most of the dramatic literature of the time is atrocious, and we can understand it only as we remember the character of the court and society for which it was written. Unspeakably vile in his private life, the king had no redeeming patriotism, no sense of responsibility to his country for even his public acts. He gave high offices to blackguards, stole from the exchequer like a common thief, played off Catholics and Protestants against each other, disregarding his pledges to both alike, broke his solemn treaty with the Dutch and with his own ministers, and betrayed his country for French money to spend on his own pleasures. It is useless to paint the dishonor of a court which followed gayly after such a leader. The first Parliament, while it contained some noble and patriotic members, was dominated by young men who remembered the excess of Puritan zeal, but forgot the despotism and injustice which had compelled Puritanism to stand up and assert the manhood of England. These young politicians vied with the king in passing laws for the subjugation of Church and State, and in their thirst for revenge upon all who had been connected with Cromwell's iron government. Once more a wretched formalism that perpetual danger to the English Church came to the front and exercised authority over the free churches. The House of Lords was largely increased by the creation of hereditary titles and estates for ignoble men and shameless women who had flattered the king's vanity. Even the Bench, that last strong refuge of English justice, was corrupted by the appointment of judges, like the brutal Jeffreys, whose aim, like that of their royal master, was to get money and to exercise power without personal responsibility. Amid all this dishonor the foreign influence and authority of Cromwell's strong government vanished like smoke. The valiant little Dutch navy swept the English fleet from the sea, and only the thunder of Dutch guns in the Thames, under the very windows of London, awoke the nation to the realization of how low it had fallen. Two considerations must modify our judgment of this disheartening spectacle. First, the king and his court are not England. Though our histories are largely filled with the records of kings and Revolution of 1688 Our soldiers, of intrigues and fighting, these no more express the real life of a people than fever and delirium express a normal manhood. Though king and court and high society arouse disgust or pity, records are not wanting to show that private life in England remained honest and pure even in the worst days of the Restoration. While London society might be entertained by' the degenerate poetry of Rochester and the dramas of Dryden and Wycherley, English scholars hailed Milton with delight; and the common people followed Bunyan and Baxter with their tremendous appeal to righteousness and liberty. Second, the king, with all his pretensions to divine right, remained only a figurehead; and the Anglo-Saxon people, when they tire of one figurehead, have always the will and the power to throw it overboard and choose a better one. The country was divided into two political parties: the Whigs, who sought to limit the royal power in the interests of Parliament and the people; and the Tories, who strove to check the growing power of the people in the interests of their hereditary rulers. Both parties, however, were largely devoted to the Anglican Church; and when James II, after four years of misrule, attempted to establish a national Catholicism by intrigues which aroused the protest of the Pope as well as of Parliament, then Whigs and Tories, Catholics and Protestants, united in England's last great revolution. 1 The complete and bloodless Revolution of 1688, which called William of Orange to the throne, was simply the indication of England's restored health and sanity. It proclaimed that she had not long forgotten, and could never again forget, the lesson taught her by Puritanism in its hundred years of struggle and sacrifice. Modern England was firmly established by the Revolution, which was brought about by the excesses of the Restoration. Literary Characteristics. In the literature of the Restoration we note a sudden breaking away from old standards, French just as society broke away from the restraints of Puritanism. Many of the literary men had been driven out of England with Charles and his court, or else had followed their patrons into exile in the days of the Commonwealth. On their return they renounced old ideals and demanded that English poetry and drama should follow the I Guizot's History of the Revolution in England. |