principal points in view. The whole is so beautiful, that if I were to make the regular detour, the description might be too minute; but there are some points which gave me so much pleasure that I know not how to avoid recommending to others that travel this way to taste the same satisfaction. From the upper part of the orchard you look down a part of the river, where it opens into a regular basin, one corner stretching up to Cork, lost behind the hill of Lota, the lawn of which breaks on the swelling hills among the woods; the house obscured, and therefore seeming a part of your home scene; the losing the river behind the beautiful projection of Lota is more pleasing than can be expressed. The other reach, leading to the harbour's mouth, is half hidden by the trees, which margin the foot of the hill on which you stand; in front a noble range of cultivated hills, the inclosures broken by slight spots of wood, and prettily varied with houses, without being so crowded as to take off the rural effect. The scene is not only beautiful in those common circumstances which form a landscape, but is alive with the cheerfulness of ships and boats perpetually moving. Upon the whole, it is one of the most luxuriant prospects I have anywhere seen. Leaving the orchard, pass on the brow of a hill which forms the bank of the river of Glanmire, commanding the opposite woods of Lota in all their beauty. Rise to the top of the high hill which joins the deer park, and exhibits a scene equally extensive and beautiful; you look down on a vale which winds almost around at your feet, finishing to the left in Cork river, which here takes the appearance of a lake, bounded by wood and hills, and sunk in the bottom of a vale, in a style which painting cannot imitate; the opposite hills of Lota, wood, and lawn, seem formed as objects for this point of view: at your feet a hill rises out of the vale, with higher ones around it, the margins scattered wood; to the right, towards Riverstown, a vale; the whole backed by cultivated hills to Kallahan's field. Milder scenes follow: a bird's-eye view of a small vale sunk at your feet, through which the river flows; a bridge of several arches unites two parts of a beautiful village, the meadow grounds of which rise gently, a varied surface of wood and lawn, to the hills of Riverstown, the whole surrounded by delicious sweeps of cultivated hills. To the left a wooded glen rising from the vale to the horizon, the scenery sequestered, but pleasing; the oak wood which hangs on the deer-park hills, an addition. Down to the brow of the hill, where it hangs over tho river, a picturesque interesting spot. The inclosures of the opposite bank hang beautifully to the eye, and the wooded glen winds up the hill. Returning to the house I was conducted to the hill, where the grounds slope off to the river of Cork, which opens to view in noble reaches of a magnitude that fills the eye and the imagination; a whole country of a character truly magnificent, and behind the winding vale which leads between a series of hills to Glanmire. Pictures at Dunkettle. A St. Michael, &c., the subject confused, by Michael Angelo. A St. Francis on wood, a large original of Guido. A St. Cecilia, original of Romanelli. An Assumption of the Virgin, by L. Carracci. A Quaker's meeting, of above fifty figures, by Egbert Hemskerk. A sea view and rock piece, by Vernet. A small flagellation, by Sebastian del Piombo. A Madonna and Child, small, by Rubens. The Crucifixion, many figures in miniature, excellent, though the master is unknown. An excellent copy of the famous Danæ of Titian, at Monte Cavallo, near Naples, by Cioffi of Naples. Another of the Venus of Titian, at the Tribuna in Florence. Another of Venus blinding Cupid, by Titian, at the Palazzo Borghese in Rome. Another of great merit of the Madonna della Sedia of Raphael, at the Palazzo Pitti in Florence, by Stirn, a German, lately at Rome. Another of a Holy Family, from Raphael, of which there are said to be three originals, one at the king's palace in Naples, one in the Palais Royal in Paris, and the third in the collection of Lord Exeter, lately purchased at Rome. A portrait of Sir Patrick Trent, by Sir P. Lely. An excellent portrait of a person unknown, by Dahl. September 17. To Castlemartyr, the seat of the Earl of Shannon, one of the most distinguished improvers in Ireland; in whom I found the most earnest desire to give me every species of information, with a knowledge and ability which enabled him to do it most effectually. Passed through Middleton, a well-built place, which belongs to the noble lord to whom it gives title. Castlemartyr is an old house, but much added to by the present earl; he has built, besides other rooms, a dining one thirty-two feet long by twenty-two broad, and a drawing one, the best rooms I have seen in Ireland, a double cube of twenty-five feet, being fifty long, twenty-five broad, and twenty-five high. The grounds about the house are very well laid out; much wood well grown, considerable lawns, a river made to wind through them in a beautiful manner, an old castle so perfectly covered with ivy as to be a picturesque object. A winding walk leads for a considerable distance along the banks of this river, and presents several pleasing landscapes. From Rostellan to Lota, the seat of Frederick Rogers, Esq. I had before seen it in the highest perfection from the water going from Dunkettle to Cove, and from the grounds of Dunkettle. Mrs. Rogers was so obliging as to show me the back grounds, which are admirably wooded, and of a fine varied surface. Got to Cork in the evening, and waited on the Dean, who received me with the most flattering attention. Cork is one of the most populous places I have ever been in; it was market-day, and I could scarce drive through the streets, they were so amazingly thronged on the other days the number is very great. I should suppose it must resemble a Dutch town, for there are many canals in the streets, with quays before the houses. The best built part is Morrison's Island, which promises well; the old part of the town is very close and dirty. As to its commerce, the following particulars I owe to Robert Gordon, Esq., the surveyorgeneral: Average of Nineteen Years' Export, ending Small exports, Gottenburg herrings, horns, feathers, &c. 35,000 £1,100,190 Average prices of the nineteen years on the custom books. All exports on those books are rated at the |