ShakespearePrentice Hall, Harvester Wheatsheaf, 1995 - 165 halaman This text mounts a challenge to orthodox and oppositional critics who continue to regard Shakespearian drama as conservative in intent or effect. |
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Halaman 37
... stage itself . For ' a platform stage capable of sustaining both illusionistic and non - illusionistic effects was indispensable to the interplay between realistic and stylised modes of expression , and between a new consistency of ...
... stage itself . For ' a platform stage capable of sustaining both illusionistic and non - illusionistic effects was indispensable to the interplay between realistic and stylised modes of expression , and between a new consistency of ...
Halaman 121
... stage now , I could condemn it as an improb- able fiction ' ( III . iv . 127-8 ) . The effect of these elaborate strategies is not , however , to leave the mind lost in a maze of visual and verbal deception , in which the border between ...
... stage now , I could condemn it as an improb- able fiction ' ( III . iv . 127-8 ) . The effect of these elaborate strategies is not , however , to leave the mind lost in a maze of visual and verbal deception , in which the border between ...
Halaman 145
... Stages of History : Shakespeare's English Chronicles ( Ithaca , N. Y. , 1990 ) , pp . 137-48 . 14. Elizabethan Critical ... Stage : License , Play , and Power in Renais- sance England ( Chicago and London , 1988 ) , pp . 76-87 . 31 ...
... Stages of History : Shakespeare's English Chronicles ( Ithaca , N. Y. , 1990 ) , pp . 137-48 . 14. Elizabethan Critical ... Stage : License , Play , and Power in Renais- sance England ( Chicago and London , 1988 ) , pp . 76-87 . 31 ...
Isi
1 and 2 Henry IV | 40 |
the subversive imagination | 70 |
the utopian | 106 |
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Shakespeare, 1564-1964: A Collection of Modern Essays by Various Hands Brown University,Edward Alan Bloom Pratinjau tidak tersedia - 1964 |
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2nd edn actual Alternative audience authority become Chapter comedies common conventional criticism cultural Deconstruction desire difference Dollimore drama effect Elizabethan English English Studies Essays experience fact future gender give Hamlet Henry Henry IV human Ibid identity ideology imagination interpretation Jameson John kind King Lear language less Literary literature lives London Macbeth Manchester Marxism meaning Merchant of Venice misogyny moral narrative nature once opening original Othello Oxford past perspective Peter play play's Political possible practice present production Prospero question radical reading reality recent Renaissance revised role romances Romeo and Juliet ruled scene sense sexual Shake Shakespeare Shylock Sinfield social society speech stage structure Tempest theatre Theory things thou tion Tradition tragedy tragic turn universal values vision voice women York York and London
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