Dangdut Stories: A Social and Musical History of Indonesia's Most Popular Music

Sampul Depan
Oxford University Press, 26 Agu 2010 - 272 halaman
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A keen critic of culture in modern Indonesia, Andrew N. Weintraub shows how a genre of Indonesian music called dangdut evolved from a debased form of urban popular music to a prominent role in Indonesian cultural politics and the commercial music industry. Dangdut Stories is a social and musical history of dangdut within a range of broader narratives about class, gender, ethnicity, and nation in post-independence Indonesia (1945-present).
 

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1 Introduction
3
Discourse Practice and the Stakes of Authenticity
33
3 A Doll from India Mr Mahmud and the Elvis of Indonesia
57
Constructing the People in Dangdut
81
Dangdut and the Spectacle of Excess
113
We Bring the Happiness of Dangdut
149
Islam Body Politics and Dangdut in PostSuharto Indonesia
173
Going Local in PostSuharto Indonesia
201
Why Dangdut?
225
Glossary
235
References
239
Index
253
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Tentang pengarang (2010)

Andrew N. Weintraub is Associate Professor of Music at the University of Pittsburgh, where he teaches graduate and undergraduate courses in ethnomusicology and popular music, and directs the University of Pittsburgh gamelan program. He is the author of Power Plays: Wayang Golek Puppet Theater of West Java (Ohio University Press, 2004) and the coeditor of Music and Cultural Rights (University of Illinois Press, 2009). Weintraub is the founder and lead singer of the Dangdut Cowboys, a Pittsburgh-based dangdut group whose Youtube videos have been viewed more than 100,000 times since December 2007.

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