The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 - 80 halaman |
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Halaman 19
... firft act ; which is fo full of bufi- nefs , and that of fo important a nature , that per- haps no author but Shakespeare could have produced any thing after , relative to the fame ftory , worthy of attention ; yet what follows fhews us ...
... firft act ; which is fo full of bufi- nefs , and that of fo important a nature , that per- haps no author but Shakespeare could have produced any thing after , relative to the fame ftory , worthy of attention ; yet what follows fhews us ...
Halaman 153
... firft in fuch a part , we must give him the lead , and say , that if the reptile can be made fuffer- able , it is his by his performance : which , equal to fome very arduous tasks , can nevertheless when occafion calls , condefcend ...
... firft in fuch a part , we must give him the lead , and say , that if the reptile can be made fuffer- able , it is his by his performance : which , equal to fome very arduous tasks , can nevertheless when occafion calls , condefcend ...
Halaman 345
... firft fcene , and Mar- gery , named by Sir George in this . This , however , is not a very material flip - The young gentleman's behaviour on mention of the match , fhews the taint he has received of family pride , and the converfation ...
... firft fcene , and Mar- gery , named by Sir George in this . This , however , is not a very material flip - The young gentleman's behaviour on mention of the match , fhews the taint he has received of family pride , and the converfation ...
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againſt agreeable alfo alſo appears audience Beggar's Opera Cato cauſe cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire expreffed expreffion Fair Penitent fatire favour fays fcene fecond feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftands ftate ftile ftriking ftrong fuch fuitable fuppofe fupported furniſhed gives happily Harpagus herſelf himſelf houſe humour huſband inftructive Jaffier juft juftice Juliet juſt King King Lear lady laft lefs Linco Macbeth Mandane mention Merchant of Venice merit Mifs moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſe pleaſure poffeffed praiſe prefent promifes purpoſe racter raiſe reaſon refolution refpect repreſentation Rofalind Romeo Romeo and Juliet ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice Preferved whofe wiſh Zenobia