Hindi: Language, Discourse, [and] Writing, Volume 1Mahatma Gandhi International Hindi University, 2000 |
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Halaman 33
... whole area , that whole strip from Kurdistan , going to Pakistan , India , etc. Most probably through Buddhism and Zoroastrianism and some older traditions , which were being carried on by Sufies who , like Buddha , don't believe in God ...
... whole area , that whole strip from Kurdistan , going to Pakistan , India , etc. Most probably through Buddhism and Zoroastrianism and some older traditions , which were being carried on by Sufies who , like Buddha , don't believe in God ...
Halaman 264
... whole set of socialized and institutionalized meanings straightforwardly transmitted by means of inheritance . What has been the constitutive build up of the subject , and has structured its own perception and representation , is shaken ...
... whole set of socialized and institutionalized meanings straightforwardly transmitted by means of inheritance . What has been the constitutive build up of the subject , and has structured its own perception and representation , is shaken ...
Halaman 143
... whole sentence : ' Let us eat and drink , for tomorrow we shall die ' ( Isaiah 22.13 ) . - The Indian poetics talk of the whole sentence . The highest of the rasas ' , for instance , is the shringaar rasd – the king of rasas . And in it ...
... whole sentence : ' Let us eat and drink , for tomorrow we shall die ' ( Isaiah 22.13 ) . - The Indian poetics talk of the whole sentence . The highest of the rasas ' , for instance , is the shringaar rasd – the king of rasas . And in it ...
Isi
Ashok Vajpeyi | 11 |
The miller of Kosi | 35 |
A room in the tree | 46 |
Hak Cipta | |
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Istilah dan frasa umum
able accepted appeared asked beautiful become beginning believe blue body called century characters comes consider contemporary course created criticism culture death Delhi Dwivedi English existence experience eyes face fact father feel Galav girl give given hand happened Hariya Hindi human idea identity important Indian individual it's Kabir keep kind language later leave literary literature live look Madhavi Magadh meaning memory mind narrative nature never novel original perhaps person plays poems poet poetic poetry possible present problem question reason remains seems seen sense social society space standing story tell theatre thing thought tradition translation tree true truth turned understand Verma verse voice woman writing written Yayati