Hindi: Language, Discourse, [and] Writing, Volume 1Mahatma Gandhi International Hindi University, 2000 |
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Halaman 197
... thought to establish that he was . But if he is asked why there was a profound difference in the thinking of the two men , he turns to divine effulgence and blocks the question . In his anxiety to prove that Ramanand was the guru of ...
... thought to establish that he was . But if he is asked why there was a profound difference in the thinking of the two men , he turns to divine effulgence and blocks the question . In his anxiety to prove that Ramanand was the guru of ...
Halaman 243
... thought from Pascal to Sartre . The same is seen also as the main concern in Indian thought ... The forlornness , the aloofness of the self , and the experience of anguish and despair often presented as the prominent features of the ...
... thought from Pascal to Sartre . The same is seen also as the main concern in Indian thought ... The forlornness , the aloofness of the self , and the experience of anguish and despair often presented as the prominent features of the ...
Halaman 186
... thought it has been repeatedly said that naming is an attempt to capture : that is , as soon as you give a name to a ... thought they were . This second method is found more in critics like Hazariprasad Dwivedi , Ramchandra Shukla and ...
... thought it has been repeatedly said that naming is an attempt to capture : that is , as soon as you give a name to a ... thought they were . This second method is found more in critics like Hazariprasad Dwivedi , Ramchandra Shukla and ...
Isi
Ashok Vajpeyi | 11 |
The miller of Kosi | 35 |
A room in the tree | 46 |
Hak Cipta | |
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Istilah dan frasa umum
able accepted appeared asked beautiful become beginning believe blue body called century characters comes consider contemporary course created criticism culture death Delhi Dwivedi English existence experience eyes face fact father feel Galav girl give given hand happened Hariya Hindi human idea identity important Indian individual it's Kabir keep kind language later leave literary literature live look Madhavi Magadh meaning memory mind narrative nature never novel original perhaps person plays poems poet poetic poetry possible present problem question reason remains seems seen sense social society space standing story tell theatre thing thought tradition translation tree true truth turned understand Verma verse voice woman writing written Yayati